Show Notes
Discord & Rhyme continues its slow walk through the world of Post-Rock with an examination of the 1996 album Millions Now Living Will Never Die by the Chicago-based group Tortoise. John has been fascinated by the concept of Post-Rock for many years (even if many of the acts associated with it, Tortoise included, rejected it as a useful descriptor), and a large part of this fascination stems from a love he has had for this album for over 20 years. In this episode, John, Mike, Rich, and Dan try to make sense not only of how one should define one of the most ambiguous genres out there, but also of why an instrumental album in that genre (possibly), mostly lacking clear traditional melodies and traditional song structures (the opening “Djed” is 21 minutes by itself), is clearly one of the best albums any of us have ever heard. Regardless of whether Tortoise is Post-Rock, Prog, both, or neither, this is an album worth learning about, and Discord & Rhyme is up to the challenge.
More from Discord and Rhyme: An Album Podcast
In this week's Wrecking Crew retrospective, our crew makes a feast out of some puzzling but very fascinating table scraps, including a rowdy, drunken recording session allegedly conducted as a tax write-off for Michael Nesmith, and several songs written by the enigmatic Lee Hazlewood. And just for kicks, we threw in one of the most iconic songs of the '60s as a special bonus track!
Paul Simon, famously short of stature but enormous in talent, is one of the most beloved and acclaimed American songwriters of the past century. He has at least four solo albums that would have made for great podcast episodes, but Amanda picked There Goes Rhymin’ Simon. This is probably not his absolute best album, but it’s incredibly good and serves as an excellent introduction to his solo career. He departed from the folk-rock style of Simon and Garfunkel and expanded on his experimentations with jazz, reggae, and R&B (some of these experiments being more successful than others), always accompanied by his characteristically clever turns of phrase. The result is an album that is widely varied but also sonically consistent, very early-’70s but also timeless, and extremely interesting and fun.
This week, the D&R crew discusses a new batch of tunes featuring our favorite L.A.-area session musicians, including the accidental invention of a silly but awesome production technique, a sick beat that helped lay the groundwork for hip-hop, and a celebrated trumpeteer whose cornball music nearly tears this podcast apart.
In late 1995, Stone Temple Pilots were one of the most popular bands in the United States, but they were still widely disliked by critics. The band responded with Tiny Music... Song From The Vatican Gift Shop, where they forged their own unique identity and branched out to try a bunch of styles far from the 90's grunge music they had long been associated with. Phil has been fascinated by this record for a long time and is thrilled to share his appreciation with Rich and Dan.
Back to the Wrecking Crew! Since "Good Vibrations" got its own showcase as it deserves, this is tracks 2-6, including some of the best sunshine pop and some of the most annoying protest music, all performed expertly by the best musicians in Los Angeles.