Show Notes
Carole King’s Tapestry is so cozy, you'll want to hug it; sit with it. It sounds simple, warm, and totally unassuming. But it’s way more impressive than it seems at first. Adam and Peter break down what’s actually going on beneath the surface of Tapestry ... and what most people miss. Carole King was already an elite songwriter long before this album. You know Aretha Franklin's “(You Make Me Feel Like) A Natural Woman”? Carole wrote that. “Will You Love Me Tomorrow” by The Shirelles? She wrote that, too. When she was just 17! Listen closely and you hear it everywhere: in the chord choices, in the way the she actually PLAYS the piano instead of just accompanying her vocals, and in the way her melodies and lyrics lock together so naturally you barely notice how intentional it all is. Add in that soulful, sweet voice, and you start to understand how this unassuming record became a chart-topping, Grammy-dominating classic when it came out in 1971. Tapestry sounds easy, but it's not. Check out this episode, and you'll never hear this album the same way again. Get our newsletter for bonus stories that didn’t make the pod: https://youllhearit.com/newsletter 00:00 - Opening Tune: It's Too Late 01:25 - Introducing Carole King's Tapestry 05:00 - That Time Young Paul Simon and Carole Played Together 07:10 - Carole's Early Doo-wop Sound 10:20 - "(You Make Me Feel Like) A Natural Woman" - Aretha Franklin 13:30 - When Songwriter Became Performer 16:30 - B.B. and Carole 18:00 - "I Feel the Earth Move" 22:00 - "So Far Away" 30:45 - "It's Too Late" 40:50 - "Home Again" 44:00 - "Beautiful" 45:35 - "Way Over Yonder" 50:00 - "You've Got a Friend" 58:20 - "Where You Lead" 1:02:30 - "Will You Love Me Tomorrow" 1:04:40 - "Tapestry" 1:08:45 - "(You Make Me Feel Like) A Natural Woman" 1:13:10 - Apex Moments of Tapestry 1:21:20 - Coming Up On on You'll Hear It 1:22:00 - Outro: "It's Too Late"
More from You'll Hear It: Full Album Deep Dives with Jazz Musicians
Even if you don't recognize his name, you've heard his sound. Jazz trumpeter Roy Hargrove played trumpet on, and contributed arrangements to, D'Angelo's Voodoo, Common's Like Water for Chocolate, and Erykah Badu's Mama's Gun. He was equally at home with neo-soul and hip-hop, and straight-ahead acoustic jazz. At the same time he was contributing to era-defining Soulquarian projects, he was producing music with his jazz quintet. Today, jazz pianists Adam Maness and Peter Martin listen to his 2008 masterpiece Earfood and explore why it may be the perfect jazz album for the jazz-curious neo-soul fan.
Jazz pianists Adam Maness and Peter Martin dig into the You'll Hear It mailbag, answering your questions and checking out the tunes you always wanted them to hear. Plus, a trivia round inspired by your comments. ------------------------------- Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/ ------------------------------- Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://youllhearit.com/newsletter ------------------------------- Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club ------------------------------- 📞 Send us a message: https://youllhearit.com/ ------------------------------ About You'll Hear It: Jazz pianists Adam Maness and Peter Martin unpack popular albums track-by-track in this weekly listening party. They talk about what their trained ears hear in the music, offering audiences a new window into the records they love.
D'Angelo's Black Messiah is one of the greatest albums of the 21st century. You can hear his musical influences all over it: Prince's arrangements, the Bee Gees' falsettos, Jimi Hendrix's guitar, Sly's groove. But the alchemy that makes Black Messiah so powerful could only come from one mind: D'Angelo, the artist who gave us Voodoo and Brown Sugar. Jazz pianists Adam Maness and Peter Martin unpack D'Angelo's Black Messiah track by track, detailing what their trained ears hear in the music, and highlighting new textures, harmonies, and song structures you may have missed on the first listen. Plus, Peter shares stories about his friendship and working relationship with legendary trumpet player Roy Hargrove. ------------------------------ Adam shows you how to play D'Angelo's "Really Love". Get the lesson: https://yhi.link/really-love ------------------------------- Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-6 ------------------------------- Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/ ------------------------------- Send us a message: https://youllhearit.com/ ------------------------------ 0:00 D'Angelo and the Vanguard - Black Messiah 1:44 Ain't That Easy 7:35 Questlove, Pino Palladino, and James Gadson 9:35 1000 Deaths 14:09 The Charade 17:44 Where this album sits next to Sly, Marvin, and Prince 19:33 Roy Hargrove, and the Peter Martin connection 22:28 Sugah Daddy 28:45 Really Love 39:40 Back to the Future (Part I) 44:05 Where does talent like this come from?! 51:15 Till It's Done (Tutu) 53:43 Prayer 56:35 Betray My Heart 1:02:55 The Door 1:07:13 Back to the Future (Part II) 1:09:25 Is this album backwards? 1:11:11 Another Life 1:17:00 Our favorite moments 1:17:27 How snobby is this album? 1:19:53 Is it better than Voodoo?
Jazz pianists Adam Maness and Peter Martin play each other their favorite Ahmad Jamal tunes to build the ULTIMATE Ahmad Jamal playlist. Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club ------------------------------- Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-5 ------------------------------- Watch Ahmad Jamal at Studio 61: https://www.youtube.com/watch?v=7KFMLNop0_g&t=607s ------------------------------- 📞 Send us a message: https://youllhearit.com/ ------------------------------- Listen to the Ultimate playlist on Spotify: https://open.spotify.com/playlist/1TvAf7P7H5JvG0hP0SJth9?si=vH8EJXmHS4mGw8eWm0BqnA ------------------------------ About You'll Hear It: Jazz pianists Adam Maness and Peter Martin unpack popular albums track-by-track in this weekly listening party. They talk about what their trained ears hear in the music, offering audiences a new window into the records they love.
Waltz for Debby is the sound that all "boring coffeehouse jazz" tries to imitate, but none can replicate. Featuring Bill Evans on piano, Scott LaFaro on bass and Paul Motian on drums, this 1962 live album has become the template for every AI jazz playlist. And yet, it stands apart as one of the greatest jazz piano trio albums of all time. Pianists Adam Maness and Peter Martin listen to the full album, track-by-track, describing what they hear in the music that lends this album its undeniable humanity. ------------------------------- Learn to play tracks from You'll Hear It. Join the You'll Hear It Players Club: https://yhi.link/players-club ------------------------------- Learn to talk like a jazz musician. Download the Liner Notes FREE today: https://yhi.link/linernotes-4 ------------------------------- Start your free Open Studio trial for ALLLLL your jazz lesson needs: https://openstudiojazz.com/ ------------------------------- 📞 Send us a message: https://youllhearit.com/