Show Notes
This season, The Verge and New York Magazine's The Cut trace the evolution of the multi-billion dollar dating app industry. Through conversations with industry leaders, experts, and users, hosts Sangeeta Singh Kurtz and Lakshmi Rengarajan explore the modern dating landscape forged by companies like Tinder, Bumble, and Hinge, and their impact on our hopes for connection. Looking at the past decade of dating, we're asking the question: are the goals of dating app companies aligned with our romantic aspirations? New episodes begin Wednesday, January 11th. Learn more about your ad choices. Visit podcastchoices.com/adchoices
More from Land of the Giants
Streaming didn’t just change the way consumers watched movies and TV shows, it reconfigured how media giants operated, and how they saw themselves. If tech companies were disrupting old business models, perhaps Disney’s best move was to join the crowd. In our final episode, we look at how streaming has fundamentally changed Disney and prepared the company for the next 100 years of entertainment.
The Walt Disney Company has been led by eight different men in its century of existence. But few would object to the idea that only three have really mattered. Walt Disney, Michael Eisner, and Bob Iger have all made lasting impacts on the company, but how these executives went out also left an important impression. Why has Disney repeatedly struggled to get succession right – for one leader to pass the torch to a new one? And what do Bob Iger’s latest missteps tell us about why it’s so hard to let it go?
Marvel and Star Wars are the crown jewels of Disney’s empire. They’re the highest-grossing movie franchises in history, with devoted fan bases and expansive IP universes, but right now, both are in a bit of a slump. As Disney asked for more and more content to satisfy its business needs, the creative process suffered, and these once mighty hit-making engines have slowed down. There hasn’t been a Star Wars movie in 5 years and this year, Disney’s only releasing a single Marvel movie - ‘Deadpool and Wolverine.’ How did Disney get here? What will it take to rediscover the mojo? And how can Baby Yoda and a foul-mouthed, fourth-wall breaking Marvel character help get Disney’s IP machine pumping at the box-office again?
Disney’s soul is arguably its animation studio, which has a 100-year track record of creating iconic characters and stories, and a distinct brand centered around “once upon a time.” Not so long ago, Disney produced films like "The Little Mermaid" and "The Lion King," catapulting animation into the mainstream while burnishing Disney's own brand as the premier animated film studio. But lately, those movies have felt lost and often, distinctly, "un-Disney." Recent box office flops like “Wish” are costly missteps that have a huge impact on Disney’s bottom line. With more studios producing animated films, and Disney having acquired Pixar, it’s not always clear what’s a Disney film anymore. So what makes a film a Disney film today, and why does it matter?
These days the Walt Disney Company is mostly a theme parks company. About 70 percent of its operating income comes from its parks and other experiences like Disney Cruises. But the parks do something else: they help the company attach itself to our emotions, memories, and identities. How can Disney continue to strengthen this relationship in an era where data - not whimsy, fantasy, or even original IP - shapes so much of how we experience the world?