
Directing a Vertical Series For Candy Jar, Feature Films & More With Filmmaker Emily Elizabeth Thomas
Show Don't Tell: Micro-Budget FilmmakingShow Notes
Filmmaker Emily Elizabeth Thomas joins me this week to break down the making of her debut feature film Keily: Homecoming Dweeb, a YA romance that bridges classic rom-com elements with bold visual experimentation.
Emily shares how the project grew out of a Candy Jar–financed vertical web series, why she embraced an unconventional format to connect with Gen Z, and how she maintained her distinctive voice on both the series and the feature.
We also dive deep into practical directing craft - from navigating budgets and production constraints to lens testing, working with young actors, rewriting on set, and keeping tone at the center of every decision. Topics include: Moving from commercials to narrative filmmaking by way of a vertical series Why embracing nontraditional formats can expand your audience reach Practical strategies for navigating low budgets without sacrificing vision The role of zoom lenses and lens testing in creating emotional storytelling Building authentic performances with young actors through collaborative rehearsals Managing tone as a director’s primary responsibility Much more. Links from the show:
Watch Keily: Homecoming Dweeb on Candy Jar
Keily: Homecoming Dweeb on IMDb
Emily Elizabeth Thomas – Official Portfolio
Sign up for exclusive filmmaking newsletters each Sunday.
More from Show Don't Tell: Micro-Budget Filmmaking
In this episode, I'm joined by Jesse Korman, director of Yellow Eyes, the possession horror feature now streaming on Screambox. Jesse has produced over 30 films, directed a long list of music videos, and fronts the band The Number Twelve Looks Like You.
In this episode, I'm joined by filmmaker Joe Burke, back on the show to talk about his micro-budget feature Burt.Over the past year, Burt won Best Comedy Feature at Cinequest, Best Picture and Best Ensemble at Phoenix, was the opening night film at Anchorage, and landed a slot at Palm Springs International.
In this episode, I'm joined by filmmaker Pete Ohs for his third appearance, and there's a lot to catch up on. Since we last spoke, Pete made Erupcja, a feature starring Charli XCX that he shot in Warsaw with no script, a crew of three, and the same Canon 5D Mark III running a Magic Lantern raw hack he's used on every film in his process.
In this episode, I'm joined by four-time Grammy nominee Grace Potter to talk about her new record Trespasser, the microfilm series she built alongside it, and the long road back to the film career she walked away from at nineteen.
In this episode, I'm joined by Legion M co-founders Jeff Annison and Paul Scanlan to talk about the new Green Day comedy Nimrods, hitting theaters August 14, and how the world's first fan-owned entertainment company ended up behind it and Coyote vs. Acme after three years on the shelf.