Show Notes
In this special episode celebrating the Oxford Quartet Miles is joined by Lesley Brown (Somerville College, Oxford) and John Hacker-Wright (University of Guelph, Canada) to discuss the life and work of Philippa Foot, as well as her connections to Anscombe, Midgley and Murdoch.
Lesley Brown is Centenary Fellow in Philosophy at Somerville and expert on Ancient Philosophy. She was taught by both Foot and Elizabeth Anscombe and is Foot's literary executor. https://www.some.ox.ac.uk/our-people/lesley-brown/
John Hacker-Wright is a world-leading expert on Foot's work having published 'Philippa Foot's Moral Thought' (Bloomsbury, 2013),Philipp Foot on Goodness and Virtue (Palgrave, 2018) and 'Philippa Foot's Metaethics' (CUP,2021). You can find details of all his work here:
https://www.uoguelph.ca/arts/philosophy/people/john-hacker-wright
More from The Iris Murdoch Society podcast
In this episode Miles is joined by Justin Broackes (Brown, USA) and Matt Dougherty (CEU, Vienna) to discuss the influence of Martin Heidegger on Murdoch's philosophy, and Murdoch's forthcoming work on Heidegger which has been edited by Justin.
In this episode Miles discusses Murdoch's eighteenth novel, Henry and Cato, on the 50th anniversary of its publication.
In this episode Miles is joined by Elizabeth Whittome to discuss the profound influence Shakespeare had on the fiction, poetry and philosophy of Iris Murdoch. The conversation ranges widely across Murdoch's life and work, with special attention paid to her novels of the 1970s, including The Black Prince and The Sea, The Sea.
In this episode Miles is joined by Rebecca Moden (Birmingham Newman University, UK) to discuss the new exhibition at the University of Chichester, Iris Murdoch among the Artists. Drawing on newly-discovered artworks by Murdoch, those by her friends, students and collaborators, and new works by three contemporary British artists responding to her fiction and philosophy, the exhibition runs until the 10th December.
In this Birthday Lecture Daniel Read (Kingston University, UK) discusses Murdoch's dramatic work and the connections to her life, fiction and philosophy. Although lesser-known, Read makes the case that her dramatic work needs to be reassessed in the light of new materials and biographical insights.