Show Notes
Episode 195, To remember summer. Not the first summer on a calendar, but the first summer in feeling. The one that seemed to stretch on forever. The one that felt full of joy, play, and discovery. Maybe it was real. Maybe it’s just a mix of memories, TV shows, and time.
The clatter and rush of a roller coaster, the soft conversation of the crowd, the sounds and thrill of being a kid again. The guitar drifts in and out, soft and slow, sometimes bright, sometimes hazy. The comfort of sunglasses. Glowing.
No ending, no big moment. Just the warmth of the sun.
The episode features a binaural field recording of Santa Monica Pier, recorded in 2018, and processed guitar.
More from stopGOstop: field recordings, sound collage, and sound art
Over the past month and a half, I’ve been working on an archive project—digging up and remastering radio work I was involved in from 2004–2006. I’ll be re-releasing select episodes as a part of this podcast. If you are interested, you can follow the progress of the archive here.
Vim, Vigor and Vitality (or Arrangements Are in Hand or is it Self-Hypnosis) drifts between assertion and reassurance. A slow pulse moves underneath the piece, joined by the low, sustained presence of a cello. Voices surface in fragments, pause, and return, circling the British takeover of the Falkland Islands—not as a lesson in history, but as an echo that refuses to settle.
As the air cools, the water does not freeze all at once—it slows. Heat rises from the surface and meets the cold air above, creating a thin fog that drifts like breath. Small crystals begin to form in the moving water, collecting gradually.
Episode 205 of the stopGOstop podcast. Voices from day five of Apollo 11, moments of contemplation, and manipulated sounds.
Last week we watched the 1983 made for tv movie The Day After. This weeks, a new piece consisting of sound collage, field recording and sonic composition.