Show Notes
Editor - Stacey Schroeder ACE Editor Stacey Schroeder ACE admits she knows nothing about magic, but you wouldn't know it from the amazing slight of hand she demonstrates when cutting a movie. Coming into this film never having worked with director Ruben Fleischer before, and also being new to the franchise, Stacey had to rely upon her past experiences in comedy and action to hit all the right notes for this "magic-heist-action-comedy" tale.
Now You See Me: Now You Don't is the third installment in the Now You See Me film series. Returning cast members include Jesse Eisenberg, Woody Harrelson, Dave Franco, Isla Fisher, Lizzy Caplan and Morgan Freeman. For this installment of the franchise, the Four Horsemen and a new generation of illusionists join forces to steal the world's largest diamond from a South African mogul who heads an international crime syndicate. STACEY SCHROEDER ACE Editor Stacey Schroeder's film credits include Now You See Me: Now You Don't; The Disaster Artist; Popstar: Never Stop Never Stopping (with Jamie Gross and Craig Apert); Sonic the Hedgehog; Blockers and Cinderella(2021). Her television credits include pilot for The Last Man on Earth; Eastbound & Down; You're the Worst; She-Hulk: Attorney at Law; Garfunkel & Oats and Girlboss.
Raised in New Port Richey, Fla., Schroeder graduated from the University of Florida and now lives in Los Angeles with her husband and two kids. The Credits Visit Extreme Music for the new Extreme Music panel for Avid Media Composer
See which Avid Media Composer is right for you
Subscribe to The Rough Cut podcast and never miss an episode
Visit The Rough Cut on YouTube
More from The Rough Cut
Editor – Dody Dorn, ACE For Heart of the Beast, editor Dody Dorn, ACE was tasked with cutting a survival thriller built around one man, one dog and an unforgiving wilderness. Reunited with director David Ayer more than a decade after their work together on Fury, Dody helped shape a film that combines large-scale action and physical danger with a much more intimate story about trauma, loyalty and the bond between two combat veterans trying to make their way home.
Editor – Joe Murphy and Music Editor – Scott Hedrick Resident Evil editor Joe Murphy and music editor Scott Hedrick join The Rough Cut to discuss the picture and music editorial work behind Zach Cregger's reinvention of the legendary survival-horror franchise. For Joe, the film marks his third consecutive collaboration with Cregger following Barbarian and Weapons, while Scott brings a background as a music editor, score producer, composer and longtime musician to a film where sound, score and silence are essential parts of the suspense.
Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the project began years earlier when he edited the original AFI short that eventually became the feature, while Chris brought a background in comedy that includes Curb Your Enthusiasm, Dave and Blindspotting.
Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space to feel real. Working with director Alicia MacDonald, Phil helped shape a film that draws on the pleasures of the classic British rom-com while giving the genre a younger, more contemporary point of view.
Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world around them. Working with writer-director David Robert Mitchell, John had to balance large-scale spectacle and mystery with a story that remains grounded in the relationships between the members of one family.