
Show Notes
In a time of climate breakdown and mass extinction there is a new urgency to environmental writing, both as literature and as science. So In their series, Meehan Crist and Peter Godfrey-Smith consider some of the most significant books published in the last few years, along with classic texts by Rachel Carson, James Lovelock and Robin Wall Kimmerer – tracing a loose arc from biology to society via questions of plant intelligence, biodiversity loss, the rights of nature, ecofascism and green capitalism.
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Meehan Crist is writer in residence in biological sciences at Columbia University.
Peter Godfrey-Smith is a professor in the School of History and Philosophy of Science at the University of Sydney
Books featured in the series:
Rachel Carson, Silent Spring
Zoë Schlanger, The Light Eaters
Helen Czerski, The Blue Machine
Sunil Amrith, The Burning Earth
James Lovelock, Gaia
Robert Macfarlane, Is a River Alive?
Robin Wall Kimmerer, Braiding Sweetgrass
Emily Raboteau, Lessons for Survival
Roy Scranton, Impasse
Alex Moore and Sam Roberts, The Rise of Ecofascism
Thea Riofrancos, Extraction: The Frontiers of Green Capitalism
Venomous Lumspcuker by Ned Beauman and Helm by Sarah Hall
More from Nature in Crisis
Lithium-ion batteries are at the heart of the transition away from fossil fuels. But lithium, like the copper, cobalt and rare earths that renewable technologies also require, has to be mined. ‘Everywhere that mines are dug up to provide raw materials for the energy transition,’ Thea Riofrancos writes in Extraction: The Frontiers of Green Capitalism, ‘global climate action comes into conflict with local environmental protection.’ Or as Meehan puts it at the start of the episode, there’s a fundamental contradiction between two desirable things.
‘The Rise of Ecofascism: Climate Change and the Far Right’ is a different kind of book from the others Meehan and Peter have discussed so far in their series, even as their focus has shifted from biology to society. Its authors, Sam Moore and Alex Roberts, are both anti-fascist researchers writing explicitly from the activist left. Unlike commentators such as Mark Lilla, who worry about ‘vilification inflation’, Moore and Roberts make the case for the continuing salience of the word fascism.
Over the past twelve years, the walls and shop shutters of Upper Manhattan have been gradually filled by giant paintings of climate-threatened birds, inspired by the species depicted by the artist John James Audubon, who lived in the area. Emily Raboteau’s ‘Lessons for Survival’ (2024) takes these murals, along with Raboteau’s own photographs of local birds, as a way into exploring the challenges faced by a mother of two Black sons in New York City living through Hurricane Sandy, the first Trump presidency, Covid and mounting climate breakdown.
At Chaco Canyon in the New Mexico desert lie the ruins of a once vibrant and extensive Ancestral Puebloan civilisation. Sometime in the 12th century the society fell into decline, as a fifty-year drought may have helped to push the settlement to collapse. ‘How is it that a complex society like Chaco could survive one drought but not another?’ Roy Scranton asks near the start of ‘Impasse: Climate Change and the Limits of Progress’ (2025).
Through folktales, memoir and hard science, Robin Wall Kimmerer’s 'Braiding Sweetgrass' argues for the intertwining of Indigenous knowledge systems and empirical science, to support ‘mutual flourishing’ between humans and the environment. 'Braiding Sweetgrass' was an enormous success for a small press publication, becoming a bestseller and a touchstone for readers searching for alternatives to extractivist realpolitik.