
Show Notes
In this episode of "This Being Human," we sit down with Deeyah Khan, an acclaimed filmmaker and activist renowned for her transformative documentaries. Deeyah shares her remarkable journey from being a music artist to becoming a powerful voice against extremism through film. Growing up as a Norwegian of Pakistani descent, she faced significant cultural and racial challenges that shaped her worldview and ignited her passion for storytelling. Deeyah recounts her transition from music to filmmaking, driven by a desire to address critical social issues and humanize those often seen as enemies.
Deeyah delves into her profound experiences engaging with white supremacists and jihadis, offering an unfiltered look at the roots of their beliefs and the power of empathy. Her films, including encounters with former extremists, have not only shed light on the psychology of hate but have also sparked moments of transformation for her subjects. Through heartfelt dialogue and unwavering courage, Deeyah's work demonstrates the possibility of change and understanding even in the most polarized situations.
Throughout the conversation, Deeyah reflects on the importance of empathy, love, and humanizing others as acts of defiance and resistance. She discusses the personal impact of her work, including how motherhood has deepened her commitment to creating a better world. This episode offers a powerful exploration of art as activism and the enduring hope that comes from seeing beyond hatred to our shared humanity. Join us as we uncover the stories behind Deeyah Khan's impactful films and her unwavering belief in the transformative power of empathy.
To learn more, visit deeyah.com
To fill out our listener survey, go to agakhanmuseum.org/tbhsurvey.
If you enjoyed this episode and want to learn more, go to agakhanmuseum.org/thisbeinghuman.
The Museum wishes to thank Nadir and Shabin Mohamed for their founding support of This Being Human. Hosted on Acast. See acast.com/privacy for more information.
More from This Being Human
What does it take to bring new life to a city without erasing what made it special in the first place? In Esna, a historic city along the Nile, architect Kareem Ibrahim and his team have spent years finding out. Their approach starts not with buildings, but with the people already there: local craftspeople, business owners, traditions and knowledge that can easily be overlooked when cities are redeveloped.
What ties an 8th-century mosaic in the Dome of the Rock to a contemporary abstract carpet? For Islamic art historian Christiane Gruber, that question has driven three decades of research—pushing her away from the idea of a single "Islamic art" and toward a field defined by plurality and contradiction. In this episode of This Being Human, Gruber joins host Mai Habib to read political meaning into sacred ornament, and to dismantle a persistent myth: that the Prophet Muhammad has never been depicted in Islamic art history. She traces how these depictions evolved from detailed faces to veiled figures wrapped in flame, and closes on her newest research interest—eco-Islamic art —and why stewardship and sacred water feel more urgent now than ever.
Amreen Kadwa didn't set out to build a nonprofit. She set out to find people like her: Muslim women who played sports and understood what it felt like to walk into a locker room and wonder if you belonged.
"I don't want perfect. Perfect is boring.” In this episode of This Being Human, host Mai Habib chats with Mekaal Hasan, a renowned Pakistani musician to discuss his lifelong journey of connecting the worlds of traditional South Asian music with more contemporary genres like rock, jazz, and fusion. Growing up in Lahore, Pakistan, Mekaal was heavily influenced by his father, a music critic and a columnist. In 1995, he graduated from the Berklee College of Music in Boston, Massachusetts, and returned to Pakistan where he founded the Mekaal Hasan Band in 2001. Mekaal’s mission is to create music that connects cultures, lifts up other artists, and preserves tradition while redefining what Qawwali music can look like.
When Dr. Huda Smitshuijzen AbiFarès moved from Beirut to study in the United States, she found herself doing something she'd never had to do before: explaining her own visual culture to people who'd never seen it. That challenge changed everything. It sent her deep into the history of Arabic typography—how it grew from calligraphic tradition, was codified by ninth-century philologists in Baghdad, and is now being reimagined through algorithms and animation. And it gave her a lifelong mission: to show the world a side of SWANA creative culture that rarely makes it into the conversation.