
Bonus: Biennale of Sydney 2026 – What Worked, What Didn't & Why It Matters
The Installation Art PodcastShow Notes
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A candid review of the 25th Biennale of Sydney, spanning five venues across Greater Sydney: from a regional gallery that got everything right to an old Power Station full of missed opportunities. I spent 10 hours at the media preview visiting all five venues: Lewers Penrith Regional Gallery, Chau Chak Wing Museum, Campbelltown Arts Centre, Art Gallery of New South Wales and White Bay Power Station. This isn't a comprehensive report, it’s my personal takeaway on what works (and what fails) when it comes to installation art at an international exhibition. The 25th Biennale of Sydney, titled Rememory and curated by Hoor Al-Qasimi, demonstrates something that's come up again and again on this podcast: you can have prestigious artists, important topics and historic venues, but if the lighting is wrong, if there's nowhere to sit, if the space outshines the art… it doesn't work. What I cover: • Why Lewers: Penrith Regional Gallery was the standout venue • Some highlighted works from each venue • The 11-minute sound installation no one experiences beyond 15 seconds – and other accessibility challenges • Documentation vs art – where is the line? • A moment of comparison: do island Biennales create better experiences?
00:32 Biennale of Sydney Facts 02:57 Penrith Gallery Highlight 05:32 Everyone’s Favorite Installation 08:06 Chau Chak Wing Museum 10:31 Campbelltown Art Centre - Documentary Debate 13:21 Art Gallery of NSW Picks 17:12 White Bay Venue Challenges 22:26 Video Overload Critique 26:32 Installation Missteps 32:48 Final Takeaways
Biennale of Sydney 2026: Rememory is on view until 14 June 2026, free entry More info: https://www.biennaleofsydney.art/
Review by art critic Christopher Allen: https://www.theaustralian.com.au/culture/worse-than-anticipated-how-the-sydney-biennale-became-a-site-of-mediocrity-and-irrelevance/news-story/efd37fe54c91806748fd89fda76f65f6
Also mentioned in this episode: Biennale of Sydney: https://www.biennaleofsydney.art/ | https://www.instagram.com/biennalesydney/ | @biennaleofsydney Venice Biennale episode: https://installationartpodcast.com/bonus-013 Helsinki Biennial episode: https://installationartpodcast.com/bonus-039 Lewers: Pentrith Regional Art Gallery: https://www.penrithregionalgallery.com.au/ | https://www.instagram.com/penrithregionalgallery/ Nora Adwan: https://noraadwan.com/home.html | https://www.instagram.com/adwan.nora/ Chau Chak Wing Museum: https://www.sydney.edu.au/museum/ | https://www.instagram.com/ccwm_sydney/ Michael Dagostino: https://www.sydney.edu.au/museum/about-us/our-people.html Ema Shin: https://emashin.org/home.html | https://www.instagram.com/ema.shin/ Tuan Andrew Nguyen: https://www.tuanandrewnguyen.com/ | https://www.instagram.com/tuan.andrew.nguyen/ Cambelltown Arts Centre: https://www.campbelltownartscentre.com.au/Home | https://www.instagram.com/campbelltownartscentre/ | @campbelltownartscentre8258 Hoor Al-Qasimi: https://www.biennaleofsydney.art/hoor-al-qasimi/ | https://www.instagram.com/hooralq/ Joana Hadjithomas & Khalil Joreige: https://hadjithomasjoreige.com/ | https://www.instagram.com/studiohadjithomasjoreige/ Art Gallery of NSW: https://www.artgallery.nsw.gov.au/ Kuba Dorabialski: https://www.kubadorabialski.com/ | https://www.instagram.com/kubadora/ Mia Wasikowska: https://www.imdb.com/name/nm1985859/ | https://www.instagram.com/mia_wasikowska_/ Taysir Batniji: https://www.taysirbatniji.com/ | https://www.instagram.com/taysir_batniji/ Kapwani Kiwanga: https://www.kapwanikiwanga.org/ Ron Mueck: https://ropac.net/artists/63-ron-mueck/ | https://www.instagram.com/ronmueckart/ Mike Hewson: https://mikehewson.co.nz/ | https://www.instagram.com/mikehewson/ MCA: https://www.mca.com.au/ | https://www.instagram.com/mca_australia | @mcaaustra
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Samuelle Green grew up in rural Pennsylvania in a family of makers and studied art at Tyler School of Art in Philadelphia and Parsons in New York. After nearly 20 years in NYC working across galleries, museums, fabrication and film sets, she made a pivotal decision: leave the city to have the space to finally build the work she had always wanted to make. That work is large scale immersive installations built from rolled cones of reclaimed books and found paper. Exhibited across the US as well as in China, Italy, France and Estonia. Green’s work has also appeared on HBO and AMC+ and won the Arte Laguna Prize in Venice. What we cover: • The decision to leave New York City after nearly 20 years to reclaim her studio practice • What it takes to create immersive installations out of paper and what happens when huge panels of work go missing two weeks before a show • The accidental acoustic discovery: paper installations as anechoic chambers, concert venues and restaurant sound dampeners • Creating art for TV and film sets and what artists should know before saying yes • Reflective outdoor sculptures activated only by car headlights and flash photography and pivoting your medium after finding success
I made a 3-minute listener survey to help shape the podcast's future. Your feedback genuinely matters. Fill out here: https://forms.gle/qqHJrMXpsC9UYu2m7 Leave a voice message: https://www.speakpipe.com/installationartpodcast
I made a 3-minute listener survey to help shape the podcast's future. Your feedback genuinely matters. Fill out here: https://forms.gle/qqHJrMXpsC9UYu2m7 Leave a voice message: https://www.speakpipe.com/installationartpodcast