Show Notes
In today's minisode, Gem Fletcher speaks to Brea Souders about her latest book Another Online Pervert, which charts her multi-year conversation with a female-programmed chatbot. The book published by Mack, combines excerpts from their conversation with images from her archive. It is highly charged, jumping between the playful and mundane to the dark and ruthless as she unpacks the complex relationship between humans and machines in a provocative publication that invites us to think about the future of our own humanity.
The TMT minisodes are short, focused conversations with photographers on books, exhibitions, and special projects, focusing on not just how these endeavours came into being but also what they bring out in us in terms of growth and reflection.
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More from The Messy Truth - Conversations on Photography
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, Gem Fletcher is joined by Rene Matić and Elle Pérez. Together they discuss, What is the work of art today?
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, Gem Fletcher is joined by Bruno Ceschel, Brian Paul Lamotte and Lillian Wilkie. Together they discuss, What’s next for PhotoBook publishing?
In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, On Photography And, Gem Fletcher is joined by Jack Davison, Ronan Mckenzie, and Hanna Moon, three artists who have taken risks in an attempt to create new models of publishing, exhibiting and making.
In this episode, On Mystery, Gem Fletcher talks to Aspen Mays about her archival interventions and darkroom transgressions that challenges us to reflect upon the profound experience of looking - looking at us and looking at the world. Aspen’s work exists in a myriad of forms, but what remains consistent through her work is the tension between oppositional forces like irreverence and defiances, the far and the near, construction and deconstruction, knowing and unknowing ,precision and chaos, the ordinary and the exceptional, the visible and the invisible - this is the lifeblood of her work. In short, her innovative practice is about imagining new possibilities of seeing and being.
In this episode, Gem Fletcher talks to Naima Green about her exhibition, ‘Instead, I spin fantasies’ presented at ICP in New York in 2025/26. The show, which was curated by Elisabeth Sherman, grapples with the concept of pregnancy and parenthood through constructed self-portraits, landscapes and still-lifes—blurring the line between documentary, performance, construction and vernacular modes. Throughout the work. Green probes the conventional expectations and representational tropes of motherhood, while also creating an expanded space for considering the experience of pregnancy and parenthood in America.