
Show Notes
In this episode of The Filmumentaries Podcast, I sit down with cinema historian and walking tour guide, Nigel Smith. Nigel is the creator of Memory Palaces, a website project dedicated to exploring and preserving the stories of London’s cinemas—both those still standing and those long forgotten. Join me and Nigel as we discuss: Nigel’s early love of cinema, sparked by watching Superman II as a child. The evolution of his passion from movies to the buildings that housed them. The rich history of London’s cinema culture, including iconic locations like the West End’s movie palaces and quirky cinemas like the Prince Charles. Fascinating discoveries from Nigel’s research, such as a Camden cinema run by a medium who let spirits dictate the programming. The enduring importance of community in cinema-going, from bustling matinees of the past to modern film clubs like Tufnell Park Film Club. Nigel also shares anecdotes from his popular walking tours, where participants bring their own memories to add to the tapestry of London’s cinematic past. Whether it’s the glamour of West End premieres or the humble beginnings of Victorian-era musicals, Nigel’s storytelling brings the history of cinema to life in a truly unique way.For more on Nigel’s work and how to join one of his walking tours, visit Memory Palaces.
Links and Recommendations: Learn about Nigel’s walking tours: Memory Palaces Visit the Cinema Museum in London: cinemamuseum.org.uk Explore the Kent Museum of the Moving Image: kentmomi.org Listen in for a fascinating conversation about the intersections of cinema, architecture, and community.
All my links
This podcast is completely independent and made possible by listener support. If you’d like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning
Watch more on YouTube: Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentaries
All my links
More from The Filmumentaries Podcast
John Knoll is Chief Creative Officer at ILM and visual effects supervisor on The Mandalorian and Grogu, the first time Mando and Grogu have been on a cinema screen. He describes two forces pulling against each other. It had to feel like it came from the same group of people who made the series, which meant keeping the handcrafted approach — puppets, creatures in rubber masks, motion control miniatures, stop motion.
This one's a bit different. It's shorter, and it's about a film that doesn't exist yet. Christopher Jacobsen is an actor and filmmaker, and full disclosure, the brother of one of my good friends. He's trying to get a documentary made about Daragh O'Malley, who played Sergeant Patrick Harper in Sharpe.
Sean England has been at Skywalker Sound since 1993. He didn't arrive as a foley artist. He came in on the technical side, in the machine room and the transfer department, back when everything went to analog tape and film was spliced on a Kem. He calls those years his film school. He watched sound get made from one end of a picture to the other, then became a foley recordist, then a mixer, then went through the glass and became the artist.
Ep 154 — Wolf Kahler — Colonel Dietrich in Raiders of the Lost Ark
Brad Fiedel wrote one of the most recognisable pieces of music in film history, and he did it on a drum machine, a sequencer and a keyboard chained together with a computer ribbon cable, before MIDI was really a thing. The famous lurch in the rhythm is him hitting a button by hand and deciding the wobble was better than the fix. Years later Henry Mancini rang up wanting to record it with a big band, and the man writing the lead sheet couldn't work out the time signature.