Show Notes
We really enjoyed Hendrik Handloegten's 2000 film, which uses fandom and the old Paul is Dead mystery trope to great effect in a coming-of-age story. Tobias maybe has some stuff going on at home, and at 13 is on the cusp of noticing girls, and the film perfectly shows how kids get obsessed and wilfully believe outlandish things because the fantasy is more appealing than reality.
We go down the rabbit hole of the Paul is Dead theory ourselves, and ask: is there anything in it? (No, no, there isn't.)
There are other versions of the film online, but this one doesn't cut out the music: https://ok.ru/video/4866916879014 Some songs from the Paul is Dead novelty subgenre: The Ballad of Paul by The Mystery Tour: https://www.youtube.com/watch?v=1nFQpyAXBc0 Brother Paul by Billy Shears and the All-Americans: https://www.youtube.com/watch?v=wPUycDF-ypg So Long Paul by Werbley Finster: https://www.youtube.com/watch?v=GuGpldj1Uog We're All Paul Bearers by Zacherias & The Tree People: https://www.youtube.com/watch?v=VRubiFAZS9Y The appalling "The Last Testament of George Harrison (Paul McCartney Really Is Dead)": https://youtu.be/Rhjtly9KTqE Other coming-of-age films we mention in which kids get obsessed with something as a reaction to family disruption: Super 8; Are You There God? It's Me, Margaret; The Goonies; Boyhood. We didn't mention it but you could add Stand By Me to that list too.
Meet the Beatles Films Podcast
The Beatles Films Podcast is hosted by Matt Looker and Ed Williamson. We're both film writers and Beatles fans. Between us we've written for TheShiznit.co.uk, Total Film, Den of Geek and Virgin Media.
But tomorrow may rain, so you'll follow us on: Instagram https://instagram.com/beatlesfilmspod Bluesky https://bsky.app/profile/beatlesfilmspod.bsky.social YouTube https://www.youtube.com/@BeatlesFilmsPodcast Threads https://www.threads.net/@beatlesfilmspod Facebook https://www.facebook.com/groups/304654901827622 Go to https://www.beatlesfilmspod.com/podcast-episodes for full notes on each episode, with links to watch the films where available. Hosted on Acast. See acast.com/privacy for more information.
More from The Beatles Films Podcast
More chasing and more studied pointlessness as we head into the film's final scenes. We look at the Buster Keaton influence on the escalating police chase scenes, and ask whether Ringo is actually back where he belongs when he rejoins the group, given that there's been no narrative resolution of his earlier discontent. We look at the filming and editing techniques of the concert scene, and have a look at John's final words for Grandfather.
(Ringo's Theme.) We get on to Ringo Starr's real introduction to the world as an actor, when everyone thought "Hey, he's not bad at this, is he?" In particular he does a great job with Wilfred Brambell in the canteen, convincing us he's slowly becoming persuaded to leave the group. We spend some time parading with Ringo, looking at his interactions with the boy and in the pub.
Part 4 takes in three of the film's key solo spots: John Lennon's scene with Anna Quayle, George Harrison in the teen TV show office, and Paul McCartney fronting the Beatles' performance of And I Love Her.
From the hotel to the TV studio. We see the Beatles at a press event, which revisits one of the film's themes: that Beatlemania persists with or without the Beatles themselves. We get into more class dynamics between Ringo Starr and the sound engineer ("Aren't you being rather arbitrary?") and John Lennon's delivery of If I Fell gets us into discussing whether he could sing love songs straightforwardly without undercutting them with a joke, something which Paul McCartney didn't struggle with.
Part 2 covers roughly the next 12 minutes of Richard Lester's film. We look at the absurdist downplayed reaction to finding an intruder in your hotel room cupboard, and the generational disconnect in how comfortable the Beatles seem in the nightclub, vs how grandfather can only fit in at the casino by pretending to be someone else. Plus! The class dynamics in Ringo Starr's jump-dancing with a posh fellow clubgoer, and some more magic realism in John Lennon's bathtub scene.