Show Notes
"From the good and the great to the lowest of the low, she bridged a gap," says Georgina Beyer of transgender trailblazer, Carmen Rupe. Find out more in this episode of Eyewitness. "From the good and the great to the lowest of the low, she bridged a gap," says Georgina Beyer of transgender trailblazer Carmen Rupe. Carmen was born Trevor Tione Rupe in 1936 and grew up in the small North Island town of Taumarunui. She was one of a family of ten, and was brought up doing 'the kinds of chores a girl would do.' Listen to the story Carmen realised she was different when she was about eight-years-old, and explored her trans identity throughout her teens and early twenties, taking direct inspiration for her name from one of her idols, Spanish Romani dancer, Carmen Amaya - the first female flamenco dancer to do footwork largely reserved for male performers. Also a keen flamenco and belly dancer, Carmen had a variety of jobs before she headed off to the bright lights of Sydney's cabaret circuit, and the infamous red-light district, King's Cross. But on returning to New Zealand in the late sixties, Carmen was keen to add some spice to Wellington's nightlife scene. She set up a number of businesses including cafes, a brothel, a curio shop, and a nightclub. One of her most popular businesses was Carmen's Coffee Lounge - a late-night international cafe, which ran from 6pm to 6am. Georgina Beyer, New Zealand's first-ever transgender MP, arrived in Wellington when she 16-years-old and felt at home as a patron at Carmen's establishments. "She had a beautiful spirit and a wairua and although she was this extraordinary person, she had this compassion for those who were down and out and underprivileged," says Beyer from her Wellington townhouse. The Balcony on Victoria Street also attracted a steady stream of punters. It seated up to 400 people and focused on variety shows. There were striptease performances, drag queens and crossdressers, flamenco and comedy acts. Busy round the clock, these were destination hotspots and Carmen made a concerted effort to employ people from the rainbow community at a time when job opportunities were limited. "The law worked against us so we had to live in this twilight zone," says Beyer of the prejudice that prevailed at the time. "Camen was an omnipresent figure...she protected us from the haters and homophobes," says Beyer. "She was an awesome presence and had very little judgement of you." Carmen was a savvy businesswoman who knew how to attract attention. She was often seen gliding down Cuba Street in designer ball gowns, and she knew every single shopkeeper by name… Go to this episode on rnz.co.nz for more details
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Is this what it's like to die? This was one of the thoughts drifting through sixteen year old Barry Watkins mind as he clung on to the edge of his brand new surfboard. In a story of terror and survival Barry recalls what it was like to come face-to-face with a great white - the fifth shark attack in Dunedin history. Out in the ocean, a dark shadow lurks beneath the surface unbeknownst to the person swimming above. And what that individual doesn't know is that he's about to be caught in the teeth of an unwieldy, man-eating shark. "The first thing I had to do was find out where the shark was...I was absolutely petrified."
Rugby legend Sir Bryan Williams made All Blacks rugby history as the first player of Pasifika blood to play in Apartheid-era South Africa in the early 1970s. He talks to Sonia Yee about the cultural obstacles and challenges heading into the three-month tour, what it meant for Black South Africans and why he's advocating for Pasifika players today through Moana Pasifika. Today, Pasifika players are commonplace in the All Blacks, and rugby in general. But that hasn't always been the case. During Sir Bryan Williams' time there were cultural barriers. Listen to the podcast to find out what it took for Sir Bryan Williams to alter rugby history The year was 1970 when a shy, 19-year-old Bryan Williams was selected to play for The All Blacks. It was an exciting and daunting time. "I was selected alongside many of my heroes - Colin Meads, Brian Lochore, Malcolm Dick, and a whole array of top players who I'd spent the 1960s absolutely idolising, and then suddenly I was selected alongside them, so I was terrified," Williams recalls. "Coming into the All Blacks, you're always under pressure. There's the expectation that you live up to what the jersey stands for." Williams was only just getting used to the spotlight in his rookie year, when he was selected for a three-month tour to play against the Springboks in apartheid-era South Africa. While Williams was not the first Pasifika player to join the All Blacks - Walter Batty, and brothers Frank and Dave Solomon came well before him - Williams would be the first to travel there, but not without some anxiety leading up to the tour. The system of apartheid, which translates as 'apartness' in Afrikaans was built on a legislation of separatism and racial segregation under a white-led National Government. Formally coming into law in 1950, apartheid kept those of black and coloured skin completely separate from whites in the public domain. Designated areas were set up on the basis of skin colour. 'Whites Only' signs would be seen hanging in shop windows, on park benches, at entrance ways to cafes and restaurants, and even access ways to beaches. Interracial marriages were banned and all South Africans were classified into four groups - black, coloured (mixed race), white, and later, Asian (for Pakistanis and Indians). Previously, in 1960 Māori All Blacks were banned from touring to South Africa and New Zealanders were signing petitions opposing the exclusion and the tour. Ten years later, Williams and the three Māori players - Sid Going, Buff Milner and Blair Furlong - would be admitted under a special pass, giving them what was referred to as 'honorary white status.'… Go to this episode on rnz.co.nz for more details
Not much is known of the suburban zoo that was once situated in Christchurch's North Beach. But those who visited recall eyeing up a mysterious crocodile in a small glass enclosure. In this episode of Eyewitness, Sonia Yee uncovers some myths, and finds out why it has left many with a mix of wonder and bewilderment. Roaring sounds of Suzy the lion would wake up local residents in an otherwise quiet suburb in Christchurch. The mini zoo known as North Beach Zoo was situated at 153 Beach Road. A former aquarium it was re-imagined by Bill Grey who bought it in the late 50s.
At a time when women were embracing their femininity after the war years, Barbara Herrick wanted to change the way women felt about themselves through fashion. She speaks to Sonia Yee about Dior's New Look that took the world by storm, carving a path in Auckland's high-end fashion scene with her label, Babs Radon. And shares what it was like to meet Her Majesty Queen Elizabeth II at The New Zealand Wool Awards. "We risked everything for fashion," says Auckland designer Barbara Herrick of the celebration of femininity seen on the streets of central Auckland after the war years.
Little is known about The Wizard of New Zealand who took centre stage in Christchurch's Cathedral Square from the 70s until the Christchurch earthquakes in 2011, which saw the city in a state of disrepair. A man who challenged political, social and cultural ideology, The Wizard posed provocative questions in this public space, much to the delight, and sometimes dismay, of passersby. But the background to why The Wizard was there in the first place has been something of a mystery... until now. Sonia Yee finds out more in this episode of Eyewitness. Anyone who visited Christchurch's Cathedral Square before the 2011 earthquakes will know of The Wizard of New Zealand - an iconic figure and mainstay of the city centre. Often dressed in a velvet kaftan and pointy black hat, the Wizard carried a wooden staff and performed on a step ladder that acted as his portable podium. Listen below to find out more about The Wizard and the mark he made on the history of Christchurch: