Show Notes
This episode is an audio supplement to a six-page Pop Art feature I wrote for Classic Pop magazine, issue 13, published October/November 2014. In the podcast I interview artist and designer, Bob Linney about his record sleeve artwork for The Beloved and play track excerpts along the way. We also touch on other sleeves that he has worked on and discover how he ended up forging a long time creative relationship with Jon Marsh and The Beloved.
The interview was recorded over Zoom during the COVID-19 lockdown period with Bob and I in our respective studios in East Anglia and Liverpool. Apologies for the variable recording quality. The podcast also coincides with the re-release of Happiness, an album by The Beloved, and the release of a limited edition range of screen prints that Bob made available in June 2020. The prints are available to order directly from Bob Linney’s online store at: www.boblinneyposters.com/beloved-artwork
Full show notes and archive at: https://softoctopus.co.uk/podcast/
More from Art on your sleeve
On 19 March 1990, Depeche Mode released what is still considered their finest album - 'Violator'. Anton Corbijn created its sleeve with assistance from graphic designer Richard Smith of Area. The two would go on to collaborate on dozens of sleeves for a wide range of artists, but to celebrate this seminal album's 35th birthday, I spoke to Richard about his creative involvement.
Graphic designer, painter and sleeve artist, Andie Airfix was born in Scotland but grew up in Warrington in the north west of England. After studying art and English literature at Chester teacher training college, he spent almost a year teaching art and English in Southampton. In 1970 he started travelling around the USA, Canada and Mexico, a trip funded by selling psychedelic paintings to poster companies in New York and San Francisco. On his return to the UK, he spent some time in Devon where he concentrated on painting and writing before heading off again to India for a few years.
This episode of the podcast is a bit different... Instead of our usual, reverent look back at examples of the best in record sleeve creativity, we dig into its darkest and often unexplored corners of obscurity to expose some of the worst, or at best, most bizarre record sleeves ever created.
Hello and best wishes for the festive season. My gift to you is a brand new episode of the ‘Art on your sleeve’ podcast. In this episode I speak with Paula Benson and Paul West from Form. There’s a lot that I could say about this dynamic duo and their extraordinarily diverse pop portfolio, but it’s probably easier to let them speak for themselves. So, here’s a bit of an introduction lifted directly from their website.
In this episode, I speak with Andy McCluskey, lead vocalist of Orchestral Manoeuvres in the Dark, or OMD, as they are more commonly known. Andy formed OMD with co-writer and occasional co-vocalist, Paul Humphreys, at the tail-end of the 1970s. Their self-titled debut album (and its follow-up) was released in 1980 at the dawn of electronic pop, just as synthesised sounds were easing their way into the mainstream - and this is where our story begins.