
Show Notes
Clare Malone is a staff writer for The New Yorker. Her latest article is ”Hasan Minhaj’s ‘Emotional Truths.’” “You're going to work a lot of hours if you want to be successful, and you're probably not going to make as much money as your dumb friend from college does. You're choosing it for a different reason, but I do think we have to make efforts to have the [journalism] industry be a middle-class profession.” Show notes:
Malone's New Yorker archive
Malone's FiveThirtyEight archive
03:00 "CNN’s New White Knight" (New Yorker • Sep 2023)
08:00 "Ben Smith Can’t Say What His New Media Venture Is" (New Yorker • Jan 2022)
09:00 "How Trump Changed America" (FiveThirtyEight • Nov 2020)
18:00 Just Like Us (The Ringer • 2022)
25:00 Semafor (Newsletter)
25:00 Confider (Lachlan Cartwright • Daily Beast)
27:00 "Inside the Meltdown at CNN" (Tim Alberta • Atlantic • Jun 2023)
27:00 "What the Shakeup at CNN Says About the Future of Cable News" (New Yorker • Jun 2023)
28:00 "David Zaslav, Hollywood Antihero" (New Yorker • Aug 2023)
37:00 "Ann Selzer Is the Best Pollster in American Politics" (FiveThirtyEight • Jan 2016)
39:00 Politics Podcast (FiveThirtyEight)
48:00 The Ankler (Newsletter)
49:00 "The E-Mail Newsletter for the Mogul Set" (New Yorker • Dec 2022)
57:00 ”Hasan Minhaj’s ‘Emotional Truths’” (New Yorker • Sep 2023)
58:00 Patriot Act (Hasan Minhaj • Netflix • 2020)
61:00 "Hasan Minhaj Eyed For ‘Daily Show’ Host" (Brian Steinberg • Variety • Aug 2023)
65:00 "Episode 1273 - Hasan Minhaj" (WTF with Marc Maron • Oct 2021)
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Have you ever wondered how your favorite movie or book—or podcast, TV series, documentary, or article—got made? Origin Stories has you covered. Each week, veteran journalist Matthew Shaer talks to a different writer or director about the creation of a work close to their own hearts. Nothing is off the table: not the frustrations and the joys, not the setbacks and the successes. Intimate and incisive, instructive and eye-opening, Origin Stories is the ultimate podcast for anyone curious about the workings of the creative mind. Among the early guests are Noah Hawley, creator of the new Alien show on FX; Mimi Leder, director of The Morning Show; New Yorker writer Patrick Radden Keefe; and Evan Ratliff, of Longform and Atavist fame. Hosted by Matthew Shaer, co-founder of Campside Media. Learn more about your ad choices. Visit podcastchoices.com/adchoices
John Jeremiah Sullivan is a contributing writer at the New York Times Magazine and has written for Harper's, The New Yorker, and GQ. He is the author of Pulphead and the forthcoming The Prime Minister of Paradise: The True Story of a Lost American History. “I love making pieces of writing and trying to find the right language to say what I mean. It's such a wonderful way of being alive in the world. I mean, your material is all around you. ... I'm lucky that it has stayed interesting for me. It hasn't faded. The challenges of writing, they still glow.” Show notes:
The hosts answer a few listener questions. Evan’s picks for some podcasts to try:
Ta-Nehisi Coates is an author and journalist. His next book is The Message. “I don’t think we have the luxury as journalists of avoiding things because people might say bad things about us. I don’t even think we have the luxury of avoiding things because we might get fired. I don’t think we have the luxury of avoiding them because somebody might cancel some sort of public speech that we have. I then have to ask you, what are you in it for? Like, why did you come here? Did you come here just to make a living? Because there are many other things where you could make more money.” Show notes:
Jay Caspian Kang is a staff writer for The New Yorker and a co-host of Time to Say Goodbye. “At some point, you have to kick it out the door, and it’s never finished to the degree that you would finish a magazine piece. But it, in some ways, is more interesting because it is produced in a short amount of time, and it’s read as something that is not supposed to be complete. It’s just meant to provoke or to provide thought or whatever, to provide some sort of context on a certain issue or not. And I actually like that a lot better than the magazine writing. I respect the magazine writers—obviously, I was one—but for my disposition now, in my lifestyle, I actually enjoy having to produce this thing every week.” Have a question for the mailbag? Email the show or leave a voicemail at (929) 333-2908. Show notes: