Show Notes
In the 1940s, Marie Storey was part of the third intake of women to join the police force in New Zealand. She speaks to Sonia Yee about being used as a decoy to catch a pervert; segregated training and why women were working as plain clothed officers. In 1943, while many New Zealanders were away fighting in the war, 18-year-old Marie Storey (nee Nixon) made the decision to join the police force and she was part of the third intake of women to do so.
But the police force was nothing new to Storey. Her father was a Senior Sergeant and editor of the Police Gazette. He had witnessed the very first intake of women to join the force.
"He came home one evening in 1941 and said he'd seen history made in New Zealand - the first ten police women sworn into the police force," Storey recalls.
Listen to The First Female Police Recruits
Her father remarked, "They were a fine bunch of young women."
In that very moment, Storey also made her mind up - she wanted to join the force.
A year later, she saw an advertisement in the paper calling for new recruits. She had no real expectations of what the job would entail, only, she knew she wanted an outdoor job where she also had the opportunity to contribute to the community.
Her application was accepted, and she was placed in a three-month female-only training programme which was held over the summer.
Storey was posted to Wellington and she says back then, roles for women in the force weren't the same as they are today.
Much of her time was spent patrolling parks and community areas where groups of people congregated, and also on jobs that concerned women and children.
Female officers were also used as decoys to catch male predators.
One evening Storey was sent out to Mount Victoria in Wellington where she had to confront one of her biggest fears - she was scared of the dark - an obstacle she would have to quickly overcome.
"There had been women living nearby complaining of a male molesting them," she says.
This particular night was pitch black and deadly quiet. And Storey says all she could see was the city lights below.
The lack of visibility was one obstacle. The second obstacle was that she was alone on the job. A detective had been assigned to accompany her, but on this occasion he was nowhere to be seen.
So Storey set off up an uneven, dirt track in total darkness, making her way back-and-forth at least half a dozen times. What's more, she had to do it clambering in a skirt, blouse, hat, gloves and a handbag - appropriate attire for women in the day.
… Go to this episode on rnz.co.nz for more details
More from Eyewitness
Is this what it's like to die? This was one of the thoughts drifting through sixteen year old Barry Watkins mind as he clung on to the edge of his brand new surfboard. In a story of terror and survival Barry recalls what it was like to come face-to-face with a great white - the fifth shark attack in Dunedin history. Out in the ocean, a dark shadow lurks beneath the surface unbeknownst to the person swimming above. And what that individual doesn't know is that he's about to be caught in the teeth of an unwieldy, man-eating shark. "The first thing I had to do was find out where the shark was...I was absolutely petrified."
Rugby legend Sir Bryan Williams made All Blacks rugby history as the first player of Pasifika blood to play in Apartheid-era South Africa in the early 1970s. He talks to Sonia Yee about the cultural obstacles and challenges heading into the three-month tour, what it meant for Black South Africans and why he's advocating for Pasifika players today through Moana Pasifika. Today, Pasifika players are commonplace in the All Blacks, and rugby in general. But that hasn't always been the case. During Sir Bryan Williams' time there were cultural barriers. Listen to the podcast to find out what it took for Sir Bryan Williams to alter rugby history The year was 1970 when a shy, 19-year-old Bryan Williams was selected to play for The All Blacks. It was an exciting and daunting time. "I was selected alongside many of my heroes - Colin Meads, Brian Lochore, Malcolm Dick, and a whole array of top players who I'd spent the 1960s absolutely idolising, and then suddenly I was selected alongside them, so I was terrified," Williams recalls. "Coming into the All Blacks, you're always under pressure. There's the expectation that you live up to what the jersey stands for." Williams was only just getting used to the spotlight in his rookie year, when he was selected for a three-month tour to play against the Springboks in apartheid-era South Africa. While Williams was not the first Pasifika player to join the All Blacks - Walter Batty, and brothers Frank and Dave Solomon came well before him - Williams would be the first to travel there, but not without some anxiety leading up to the tour. The system of apartheid, which translates as 'apartness' in Afrikaans was built on a legislation of separatism and racial segregation under a white-led National Government. Formally coming into law in 1950, apartheid kept those of black and coloured skin completely separate from whites in the public domain. Designated areas were set up on the basis of skin colour. 'Whites Only' signs would be seen hanging in shop windows, on park benches, at entrance ways to cafes and restaurants, and even access ways to beaches. Interracial marriages were banned and all South Africans were classified into four groups - black, coloured (mixed race), white, and later, Asian (for Pakistanis and Indians). Previously, in 1960 Māori All Blacks were banned from touring to South Africa and New Zealanders were signing petitions opposing the exclusion and the tour. Ten years later, Williams and the three Māori players - Sid Going, Buff Milner and Blair Furlong - would be admitted under a special pass, giving them what was referred to as 'honorary white status.'… Go to this episode on rnz.co.nz for more details
Not much is known of the suburban zoo that was once situated in Christchurch's North Beach. But those who visited recall eyeing up a mysterious crocodile in a small glass enclosure. In this episode of Eyewitness, Sonia Yee uncovers some myths, and finds out why it has left many with a mix of wonder and bewilderment. Roaring sounds of Suzy the lion would wake up local residents in an otherwise quiet suburb in Christchurch. The mini zoo known as North Beach Zoo was situated at 153 Beach Road. A former aquarium it was re-imagined by Bill Grey who bought it in the late 50s.
At a time when women were embracing their femininity after the war years, Barbara Herrick wanted to change the way women felt about themselves through fashion. She speaks to Sonia Yee about Dior's New Look that took the world by storm, carving a path in Auckland's high-end fashion scene with her label, Babs Radon. And shares what it was like to meet Her Majesty Queen Elizabeth II at The New Zealand Wool Awards. "We risked everything for fashion," says Auckland designer Barbara Herrick of the celebration of femininity seen on the streets of central Auckland after the war years.
Little is known about The Wizard of New Zealand who took centre stage in Christchurch's Cathedral Square from the 70s until the Christchurch earthquakes in 2011, which saw the city in a state of disrepair. A man who challenged political, social and cultural ideology, The Wizard posed provocative questions in this public space, much to the delight, and sometimes dismay, of passersby. But the background to why The Wizard was there in the first place has been something of a mystery... until now. Sonia Yee finds out more in this episode of Eyewitness. Anyone who visited Christchurch's Cathedral Square before the 2011 earthquakes will know of The Wizard of New Zealand - an iconic figure and mainstay of the city centre. Often dressed in a velvet kaftan and pointy black hat, the Wizard carried a wooden staff and performed on a step ladder that acted as his portable podium. Listen below to find out more about The Wizard and the mark he made on the history of Christchurch: