
Show Notes
Tonight at 8 p.m., WRTI will air the latest episode of The Late Set Radio Hour featuring harpist, composer and bandleader Brandee Younger.
To get you ready for the broadcast, we’re (re)sharing our original May 2025 podcast interview with Brandee, taped live before a sold-out Solar Myth show presented by Ars Nova Workshop.
The broadcast features music spanning her 2025 release Gadabout Season and her re-imagining of Dorothy Ashby’s work on Brand New Life. Younger reflects on using the studio as a creative tool and embracing the harp’s full expressive range — from glissandos to groove.
Host Nicole Sweeney guides us through Brandee’s profound connection to Alice Coltrane, including performing on Coltrane’s harp and collaborating with Ravi Coltrane.
The episode also spotlights fellow harpist Ashley Jackson, who speaks about the spiritual resonance of Younger’s music and how these works are entering the modern harp canon.
Listen Sunday at 8 p.m. on WRTI or stream the full episode online: wrti.org
Want to support The Late Set? Become a WRTI member: wrti.org/donate
Follow us on Instagram: instagram.com/wrtimusic
Subscribe to our YouTube: youtube.com/@WRTImusic
Write us an email: [email protected]
More from The Late Set
A bonus drop celebrating our two Signal Awards nominations! Vote for The Late Set in two categories:
The Myth We Chose, the entrancing new album by South African pianist Nduduzo Makhathini, foregrounds hope and healing, and a conviction in the redemptive power of connection. It’s a song-forward statement for Makhathini, who is also a composer, vocalist, philosopher, and ambassador for the Global South.
John Coltrane’s centennial has brought a flurry of tributes and testimonials, along with archival discoveries. At WRTI, we’re gearing up for “A Love Park Supreme,” a weeklong celebration in the city that Coltrane called home. And here at The Late Set, we’re doing what we do best: digging into an enlightened conversation.
Jazz radio has never had a better friend than Rhonda Hamilton. During a broadcasting career spanning nearly 50 years, she’s brought the music to a worldwide audience with her trademark warmth, integrity and composure.
When SML dropped its 2024 debut, the group’s admixture of loopy groove, staticky texture and shifting timbre came on like a transmission from the outer reaches. Behind the music was a method: rangy collective improv whittled down to size, based on a trove of live tape.