Show Notes
Singer-songwriter Hope Tala reads from her debut album Hope Handwritten in this passage episode of Character Study.
Hope reads the lyrics to A Story to Tell — a song she wrote on a sunny day in Los Angeles when the music wasn't coming and she felt completely stuck — and reflects on why writing has been a solace since she was a teenager, the quiet resistance of making things purely for yourself, and why creativity isn't something reserved for artists. She and Freya talk about half-finished diaries, the 13-year-old boy on a ferry with headphones and a notepad writing songs, and why somewhere along the way we start to feel embarrassed by the urge to make things. This is a conversation about what it means to have a story to tell — and why all of us do.
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Novelist Jem Calder reads from I Want You to Be Happy in this passage episode of Character Study, a scene about a hundred pages in, as his two characters go on early dates and feel each other out across a pub table by the river.
Novelist Jem Calder joins Freya to talk about I Want You to Be Happy, his debut novel about two people trying to fall in love while everything around them is engineered to distract them. Jem’s writing career started with Sally Rooney emailing him about the first story he’d ever finished and now his debut is on the tote bag of every literary it girl this summer. He tells Freya why he’d rather write a novel than a memoir (he’s a self-described cagey person who doesn’t like giving too much of himself away) and why he thinks of fiction as a gift, something a reader can reach for in their worst moments. They chat about how quickly a good line about phones curdles into cliché, why he keeps thousands of words of notes he’ll almost never use and why writing within the constraints of a genre is a form of respect for the writers who came before. A funny, honest conversation between two writers about connection, cringe and what fiction is for.
Poet Will Harris reads Speakee Stonehenge, an exclusive sneak peek into the collection of poems he is currently working on, Speakee.
Poet Will Harris joins Freya to talk about writing a whole collection around a brother he never had. Will, who won the Forward Prize for Best First Collection, tells Freya where that idea came from: a hunch that people with siblings remember their childhoods better. They chat about why the most exciting phase of a writer's life is the one before you’ve published anything, how the copious notes he kept travelling across America by bus ended up weighing his writing down as much as helping it and why poets are always arguing that the ‘I’ on the page isn’t them. They also get into the novel about feeding the ducks he abandoned, the white jumper he dreamt about that became an elegy for his grandmother and why a poem doesn’t need to be solved.
Screenwriter, artist and Murky Book Prize-winning novelist Sufiyaan Salam reads the opening chapters of Wimmy Road Boyz: three young men in a BMW, cruising towards Manchester's Curry Mile at the start of a night that none of them yet know might be their last together.