
Stuart Willett – From Geelong Pubs to Nashville Stadiums: Engineering Sound for Global Stars
Q'd Up by QSICShow Notes
In this episode of Q’d Up, host Nikki Wishart sits down with live sound engineer Stuart Willett, who is currently making waves in the Nashville music scene. Stuart shares his journey from a high school technical production class in Australia to mixing sound for major artists like Alana Springsteen on massive US stadium tours supporting Keith Urban.
Stuart opens up about the reality of life behind the scenes, detailing the meticulous preparation required for live shows—from managing complex input lists to the high-pressure environment of loading onto a stage with multiple opening acts. He reflects on the "vibe check" nature of the industry, explaining why interpersonal skills and being a "good hang" are often just as important as technical expertise when living on a tour bus 24/7.
From the technical hurdles of American power connectors to the wholesome tradition of watching Bluey as a "tour mascot" to wind down after a show, Stuart provides a candid and witty look at the highs and lows of an international career in audio.
The episode concludes with a rapid-fire round covering The Wiggles, the influence of country-pop, and the "tour rules" of the road.
[00:01:20] – Getting started: High school technical production and the first gig in Geelong
[00:03:10] – The life of a sound engineer: Emails, input lists, and the "exciting" 10% of the job
[00:04:46] – Tour bus vs. Van life: The "no pooping" rule and the convenience of waking up at the next venue
[00:06:18] – Moving to Nashville: Being "coerced" by Seaforth and the leap of faith
[00:08:46] – Adjusting to the US: Different power gear and finding a "Nashville bestie"
[00:10:35] – The "Pinch-me" moment: Working US stadiums and crying during a Morgan Wallen show
[00:13:56] – Job interviews in the music industry: Coffee, vibe checks, and interpersonal skills
[00:17:48] – The grind of the road: Nine-hour drives, missed soundchecks, and trusting the system
We acknowledge the Traditional Owners and Custodians of the lands on which we are filming today, the people of the Kulin Nation. We also pay respect to their Elders, past and present.
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