Show Notes
This week, a special bonus episode: the prologue of Freya's debut novel, A Real Piece of Work, read by actor Ellie Kendrick. OUT NOW
A Real Piece of Work follows Nola, whose memoir about her late sister Darina has become a hit — critics love it, producers want the film rights, and everyone in her family hates it. When an anonymous complaint about the book lands with her publisher, Nola is certain the culprit is one of her own relatives. As the family gathers on the remote island of Lundy to mark the fifth anniversary of Darina's death, Nola sets out to discover who made it before it does irreparable damage. It's a sparkling, spiky story about complicated families, who owns grief, and who gets to tell the story of those who are gone and those left behind.
Want to know how Ellie brought Nola to life? Read Freya's interview with her in the Behind the Book series on Substack
📖 Buy A Real Piece of Work 🎧 Listen to the full audiobook 📸 Instagram: @freybromley ✉️ Substack: freyabromley.substack.com 🎙️ And hit subscribe wherever you get your podcasts Hosted on Acast. See acast.com/privacy for more information.
More from Character Study
Novelist Jem Calder reads from I Want You to Be Happy in this passage episode of Character Study, a scene about a hundred pages in, as his two characters go on early dates and feel each other out across a pub table by the river.
Novelist Jem Calder joins Freya to talk about I Want You to Be Happy, his debut novel about two people trying to fall in love while everything around them is engineered to distract them. Jem’s writing career started with Sally Rooney emailing him about the first story he’d ever finished and now his debut is on the tote bag of every literary it girl this summer. He tells Freya why he’d rather write a novel than a memoir (he’s a self-described cagey person who doesn’t like giving too much of himself away) and why he thinks of fiction as a gift, something a reader can reach for in their worst moments. They chat about how quickly a good line about phones curdles into cliché, why he keeps thousands of words of notes he’ll almost never use and why writing within the constraints of a genre is a form of respect for the writers who came before. A funny, honest conversation between two writers about connection, cringe and what fiction is for.
Poet Will Harris reads Speakee Stonehenge, an exclusive sneak peek into the collection of poems he is currently working on, Speakee.
Poet Will Harris joins Freya to talk about writing a whole collection around a brother he never had. Will, who won the Forward Prize for Best First Collection, tells Freya where that idea came from: a hunch that people with siblings remember their childhoods better. They chat about why the most exciting phase of a writer's life is the one before you’ve published anything, how the copious notes he kept travelling across America by bus ended up weighing his writing down as much as helping it and why poets are always arguing that the ‘I’ on the page isn’t them. They also get into the novel about feeding the ducks he abandoned, the white jumper he dreamt about that became an elegy for his grandmother and why a poem doesn’t need to be solved.
Screenwriter, artist and Murky Book Prize-winning novelist Sufiyaan Salam reads the opening chapters of Wimmy Road Boyz: three young men in a BMW, cruising towards Manchester's Curry Mile at the start of a night that none of them yet know might be their last together.