Show Notes
With his sound fully established and widely sought after, Kurt Ballou's production discography begins to massively diversify, and the influence of the albums can be felt all across the underground and beyond.
It's now clear that Kurt is about more than HM-2 pedals and compression (though we do get some prime cuts of crust and filth), as his works starts to encompass indie, emo, pop punk, thrash, and metal that looks to make a mark on the mainstream.
In this episode, James and Graham discuss Nails, Genghis Tron, Joyce Manor, High on Fire, Kvelertak and much more
More from Productionwise
In our series finale, we close the door on the great Tony Visconti's 1980s discography.
After the genre-diversity, sound pioneering, and commercial success, of his 1970s collaborations, Tony Visconti entered a drastically different music decade in the 1980s.
In part 2 of our deep dive into his discography, we see just how far the sound of post-punk pioneer Martin Hannett could go.
Trevor Horn is often called the man who invented the 80s, but the same could be said of Martin Hannett.
In part 2 of our special on the production Discography of the great Nellee Hooper, the collaborations get bigger, as does his gallery of smash pop hits.