Show Notes
At thirteen Taeko Yoshioka Braid survived a moment of history that changed the world forever; the atomic bombing of Hiroshima. Produced by Lynda Chanwai-Earle. Aged just thirteen, Taeko Yoshioka Braid survived a moment of history that changed the world forever. Meet one of the last survivors of the atomic bombing of the Japanese city of Hiroshima. Subscribe to Eyewitness for free on Apple Podcasts, Spotify, Stitcher andRadio Public or wherever you listen to your podcasts. Taeko Yoshioka Braid is one of our country's last surviving Japanese war brides. In 1950 while translating and singing for a living the 18 year-old met Noel Braid, a soldier with the New Zealand K-Force stationed in Kure, Hiroshima. They married in 1952 and four years later Taeko followed Noel home to Hastings. She's lived there ever since, and at 86, has six children and many grandchildren. But her path from Hiroshima to Hastings has not always been an easy one. As she tells me her story, she is supported by her daughter, Sonia Yoshioka Braid. Taeko was born in Hiroshima in 1931. She is the eldest of six with five younger brothers. Her name means "funny girl" and was given to her by her father who had big plans for his only daughter. "My father always said I have to learn English and Chinese." Her father was a high ranking official with the Japanese Navy and served in the port town of Kure in the Hiroshima Prefecture. He was killed during the war when his boat was torpedoed. Aged just 12, Taeko became head of the family and scrambled to make a living to support her sick mother and five brothers. "That was really terrible. My mother thought not very safe in Kure, so we shift to ." Takehara is three train stops or 60 kilometres from the centre of Hiroshima. It was a decision that saved their lives. It was late summer, August 6th 1945, during the last months of World War II. Taeko was learning how to make kimono with other girls at their substitute school in Takehara. A group of her school friends were in Hiroshima making uniforms for the soldiers. Just after 8 o'clock the American B-29 bomber Enola Gay dropped the "Little Boy" - the world's first atomic bomb over Hiroshima. Every moment of the day is indelibly etched into Taeko's memory. "It went like that!" She says, slapping her hands together. "Very sharp! Very, very - spark!" The blast has been described by other survivors as; "A blinding white light that seemed to cover the sky, an intense heat ..." The girls ran to the windows to look. "Oh, another bomb!" But no, says Taeko. "It not another bomb - it totally different!"… Go to this episode on rnz.co.nz for more details
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Is this what it's like to die? This was one of the thoughts drifting through sixteen year old Barry Watkins mind as he clung on to the edge of his brand new surfboard. In a story of terror and survival Barry recalls what it was like to come face-to-face with a great white - the fifth shark attack in Dunedin history. Out in the ocean, a dark shadow lurks beneath the surface unbeknownst to the person swimming above. And what that individual doesn't know is that he's about to be caught in the teeth of an unwieldy, man-eating shark. "The first thing I had to do was find out where the shark was...I was absolutely petrified."
Rugby legend Sir Bryan Williams made All Blacks rugby history as the first player of Pasifika blood to play in Apartheid-era South Africa in the early 1970s. He talks to Sonia Yee about the cultural obstacles and challenges heading into the three-month tour, what it meant for Black South Africans and why he's advocating for Pasifika players today through Moana Pasifika. Today, Pasifika players are commonplace in the All Blacks, and rugby in general. But that hasn't always been the case. During Sir Bryan Williams' time there were cultural barriers. Listen to the podcast to find out what it took for Sir Bryan Williams to alter rugby history The year was 1970 when a shy, 19-year-old Bryan Williams was selected to play for The All Blacks. It was an exciting and daunting time. "I was selected alongside many of my heroes - Colin Meads, Brian Lochore, Malcolm Dick, and a whole array of top players who I'd spent the 1960s absolutely idolising, and then suddenly I was selected alongside them, so I was terrified," Williams recalls. "Coming into the All Blacks, you're always under pressure. There's the expectation that you live up to what the jersey stands for." Williams was only just getting used to the spotlight in his rookie year, when he was selected for a three-month tour to play against the Springboks in apartheid-era South Africa. While Williams was not the first Pasifika player to join the All Blacks - Walter Batty, and brothers Frank and Dave Solomon came well before him - Williams would be the first to travel there, but not without some anxiety leading up to the tour. The system of apartheid, which translates as 'apartness' in Afrikaans was built on a legislation of separatism and racial segregation under a white-led National Government. Formally coming into law in 1950, apartheid kept those of black and coloured skin completely separate from whites in the public domain. Designated areas were set up on the basis of skin colour. 'Whites Only' signs would be seen hanging in shop windows, on park benches, at entrance ways to cafes and restaurants, and even access ways to beaches. Interracial marriages were banned and all South Africans were classified into four groups - black, coloured (mixed race), white, and later, Asian (for Pakistanis and Indians). Previously, in 1960 Māori All Blacks were banned from touring to South Africa and New Zealanders were signing petitions opposing the exclusion and the tour. Ten years later, Williams and the three Māori players - Sid Going, Buff Milner and Blair Furlong - would be admitted under a special pass, giving them what was referred to as 'honorary white status.'… Go to this episode on rnz.co.nz for more details
Not much is known of the suburban zoo that was once situated in Christchurch's North Beach. But those who visited recall eyeing up a mysterious crocodile in a small glass enclosure. In this episode of Eyewitness, Sonia Yee uncovers some myths, and finds out why it has left many with a mix of wonder and bewilderment. Roaring sounds of Suzy the lion would wake up local residents in an otherwise quiet suburb in Christchurch. The mini zoo known as North Beach Zoo was situated at 153 Beach Road. A former aquarium it was re-imagined by Bill Grey who bought it in the late 50s.
At a time when women were embracing their femininity after the war years, Barbara Herrick wanted to change the way women felt about themselves through fashion. She speaks to Sonia Yee about Dior's New Look that took the world by storm, carving a path in Auckland's high-end fashion scene with her label, Babs Radon. And shares what it was like to meet Her Majesty Queen Elizabeth II at The New Zealand Wool Awards. "We risked everything for fashion," says Auckland designer Barbara Herrick of the celebration of femininity seen on the streets of central Auckland after the war years.
Little is known about The Wizard of New Zealand who took centre stage in Christchurch's Cathedral Square from the 70s until the Christchurch earthquakes in 2011, which saw the city in a state of disrepair. A man who challenged political, social and cultural ideology, The Wizard posed provocative questions in this public space, much to the delight, and sometimes dismay, of passersby. But the background to why The Wizard was there in the first place has been something of a mystery... until now. Sonia Yee finds out more in this episode of Eyewitness. Anyone who visited Christchurch's Cathedral Square before the 2011 earthquakes will know of The Wizard of New Zealand - an iconic figure and mainstay of the city centre. Often dressed in a velvet kaftan and pointy black hat, the Wizard carried a wooden staff and performed on a step ladder that acted as his portable podium. Listen below to find out more about The Wizard and the mark he made on the history of Christchurch: