
Christina Henry on Writing 19 Horror Novels by Hand, Bad Reviews & the Book That Changed Her Career
Talking HorrorShow Notes
In this episode of Talking Horror, Rachel Redd sits down with national bestselling author Christina Henry, writer of nearly 20 books spanning urban fantasy, dark fairy tale retellings, and modern horror, including Near the Bone, The House That Horror Built, and The Place Where They Buried Your Heart. Her upcoming novel Pinfeathers drops this November.
Grab your copy of The Place Where They Buried Your Heart: https://amzn.to/4vbTAQG
Christina opens up about writing her first novel longhand in a notebook at age 12, why she still writes every single book by hand, and the discovery-based process that lets her pants her way through nearly two decades of publishing without ever plotting. We dig into her Gen X horror origin story (Ouija boards, slumber party slashers, and a Freddy Krueger fear that genuinely haunted her) and what eventually shifted horror from scary to fascinating. Christina also gets into why she fought hard not to be typecast as "the retellings girl," how a Guillermo del Toro interview sparked The House That Horror Built, the single image of a house where three boys went in and two came out that became The Place Where They Buried Your Heart, and the tiny black needle appearing under a baby's arm that started Pinfeathers. Plus: the best piece of advice she ever got about bad reviews, what it was like to get a three-book deal while her toddler climbed a slide at Gymboree, and why she's patiently waiting for the right zombie novel idea to arrive.
Timestamps: 00:01 – Welcome to Talking Horror & Meeting Christina Henry 04:21 – Starting in Urban Fantasy: Black Wings 05:17 – A Gen X Girl's Horror Origin Story 11:59 – Writing Every Book by Hand: The Process Explained 14:45 – Pantsing 19 Novels: How Her Brain Works on Simmer 18:14 – The Road to Publication: Writing Black Wings During Nap Time 22:18 – Three Editors, Same Publisher: 16 Years with Ace/Berkley 25:32 – The Urban Fantasy Boom and Bust 26:24 – Writing Alice and Changing Her Own Career 27:23 – Jumping Genres and Writing for Herself 29:02 – Don't Do It If You Don't Love It 30:20 – Why Bad Reviews Aren't Really About Your Book 36:04 – From Retellings to Horror: Not Wanting to Be Typecast 42:23 – The Real Horror: Vulnerability and Poverty 44:15 – Building Dread Without Jump Scares 46:31 – When the House Is the Villain 47:25 – The Place Where They Buried Your Heart: Moving from Forest to Buildings 54:27 – Pinfeathers: Coming November 55:15 – A Baby, a Pin Feather, and Body Horror 58:47 – Juggling Multiple Books at Once 59:46 – What Comes After Pinfeathers: Dark Humor Returns
Grab your copy of The Place Where They Buried Your Heart: https://amzn.to/4vbTAQG
Connect with Christina Henry: Website: https://www.christinahenry.net/ Instagram: https://www.instagram.com/authorchristinahenry/
Follow Talking Horror Podcast: Instagram: https://www.instagram.com/rachelreddreads/ TikTok: https://www.tiktok.com/@rachelredd
If you enjoyed this episode, please Like, Subscribe, and hit the notification bell to help us grow the horror community!
More from Talking Horror
Taylor Grothe, who also writes as T.G. Laine, is the author of the YA folk horror debut Hollow, the upcoming Monstrous Beautiful Things, and the new sapphic dark academia horror romance Lethal Kiss.
CONTENT WARNING: This episode covers some sensitive topics such as Sexual Abuse and Domestic Violence.
Neil McRobert is the host of the Talking Scared podcast, a PhD in Gothic literature, and the author of the Stephen King blurbed novella Good Boy, with the chapbook House of Butterflies coming in December. Neil shares how a Vulture reading list for True Detective: Night Country led to Good Boy, a Northern Weird folk horror novella about a man, his dog, and a child-eating monster in a small English town. He explains why Good Boy is his answer to Stephen King's It, and what it really says about bigotry and getting stuck in your hometown. He gets honest about imposter syndrome at StokerCon, perfectionism, and why every podcast host should read the damn book. Plus, first details on House of Butterflies, set in a 1964 leaded gasoline refinery, and Bad Home, a violent home invasion novel about economic inequality.
Isabel Cañas is the USA Today bestselling, Bram Stoker Award nominated author of The Hacienda, Vampires of El Norte, and her YA gothic debut, The House of Gardenias. Isabel shares how an "air quotes too Mexican" rejection on her honeymoon in Mexico City led to The Hacienda, and how she defended her PhD in medieval Islamic history the day before it came out. She reveals the 1850s quote from Rio Grande bandit Juan Cortina about "flocks of vampires" that turned Vampires of El Norte into a story about settler colonialism. She connects The Possession of Alba Díaz to pregnancy, bodily autonomy, and the fall of Roe v. Wade. And she opens up about the real family story, her grandfather's abusive stepmother counting tortillas, that opens The House of Gardenias.
Noelle Ihli is the international bestselling, Bram Stoker Award longlisted author of Ask for Andrea, Grey After Dark, and her latest thriller, The Last to Drown.