
Philippe Sands: Pinochet, Walter Rauff, and the Shadows of History
The Shakespeare and Company InterviewShow Notes
This week Adam Biles speaks with international lawyer and acclaimed author Philippe Sands about his latest book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia. Building on East West Street and The Ratline, Sands traces the remarkable and disturbing links between Nazi officer Walter Rauff—architect of the mobile gas vans—and Chilean dictator Augusto Pinochet. Their conversation explores how Rauff escaped Europe, settled in South America, and later became entangled with Pinochet’s regime, raising profound questions about memory, complicity, and justice. Sands also shares his personal and professional connection to this history: as a barrister involved in Pinochet’s extradition case, and as the descendant of a family decimated by the Holocaust. Blending archival detective work, courtroom drama, and encounters with extraordinary witnesses, Sands reveals the human stories behind the law. This is a gripping, moving, and sometimes unsettling dialogue about the echoes of history and the pursuit of accountability.
Buy 38 Londres Street: https://www.shakespeareandcompany.com/books/38-londres-street-2
*
Philippe Sands was born in London in 1960 and studied Law at the University of Cambridge. His book East West Street was the winner of the Baillie Gifford Prize for Non Fiction 2016, the British Book Awards Non-fiction Book of the Year 2017 and 2018 Prix Montaigne He is also the author of Lawless World: America and the Making and Breaking of Global Rules, which inspired a stage play (Called to Account, Tricycle Theatre) and a television film (The Trial of Tony Blair, Channel 4). He writes regularly for the press and serves as a commentator for the BBC, CNN and other radio and television producers. His BBC Storyville film My Nazi Legacy: What Our Fathers Did premiered in April 2015 at the Tribecca Film Festival. Sands co-wrote a podcast of the same name for the BBC. Sands lectures around the world and has taught at New York University and been a visiting professor at the University of Toronto, the University of Melbourne, and the Université de Paris I (Sorbonne). He was appointed a Queen’s Counsel in 2003. The Ratline: Love, Lies and Justice on the Trail of a Nazi Fugitive, was published in 2020 and The Last Colony: A Tale of Exile, Justice and Britain's Colonial Legacy in 2022. His most recent book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia was published in 2025. He is currently Professor of Law at University College London and a barrister and arbitrator at 11 King's Bench Walk. He served as president of English PEN and is on the board of the Hay Festival of Arts and Literature.
Adam Biles is Literary Director at Shakespeare and Company.
Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w
Hosted on Acast. See acast.com/privacy for more information.
More from The Shakespeare and Company Interview
Jeanette Winterson joined us to celebrate the French edition of One Aladdin, Two Lamps, her book-length exploration of storytelling, built around One Thousand and One Nights. She recalls finding Shahrazad in her hometown library and the insight this led her to: that she could read herself as fiction as well as fact, and so rewrite her own story. The conversation moves from Freud, epigenetics and the plasticity of the brain to Manchester's Industrial Revolution and the lessons we failed to learn from it. Winterson traces AI from Ada Lovelace to Turing to today's tech moguls, making a case for cautious optimism and for calling it "alternative intelligence." She also argues for being present in the world, and looking at art without a phone.
“Childhood is once again a resource to be extracted at any cost.”
Dave Eggers joins us to discuss his 14th novel, Contrapposto, a six-decade love story between childhood friends Cricket and Olympia, illustrated with his own drawings. Eggers traces the book's twenty-year gestation, the moment Olympia's character unlocked its structure, and why he gave Cricket his own boyhood fantasy of being "apprenticed" as a young artist. The conversation ranges widely: the decline of art-school access and the pier-side art collective he's launched in San Francisco; his literacy nonprofit 826 Valencia and its typewriter-obsessed students; and a candid, sometimes fiery take on AI's effect on writing, translation, and education, including an anecdote from his visit to OpenAI's offices.
In the second episode of Editions, a podcast from Shakespeare and Company and Faber, literary director Adam Biles and Faber Editions curator Ella Griffiths are joined by novelist Megan Nolan to discuss Illusions by Ruth Rehmann, in a new translation by Rob Madole, the latest title in the Faber Editions imprint.
Amit Chaudhuri joins Adam Biles to discuss his new novel Chateau Rouge, set not in the postcard Paris of Hemingway and Midnight in Paris, but in the neighbourhood around Gare du Nord — a Paris that resists being known, curated, or confirmed. Chaudhuri talks about writing against the "already known" city, drawing on Roland Barthes and the idea of "heritage modernity" to explain why he wanted to deconstruct Paris's status as a museum-piece rather than a lived-in place. He discusses his narrator's disorientation on arrival, the subtle presence of race and visibility in the book, and how global events — the Gilets Jaunes, the Notre Dame fire — pass through the novel as lived, unfinished moments rather than history. The conversation turns, too, to marriage: how a decades-old, unread copy of A Moveable Feast, gifted by his wife, becomes a quiet emotional throughline.