Rooted Movements: The Radical Poetics of Palestinian Space with Amanda Batarseh (Syracuse UP, 2026)
New Books NetworkShow Notes
A Conversation with the author Amanda Batarseh about Rooted Movements: The Radical Poetics of Palestinian Space (Syracuse UP, 2026).
Present in the heart of modern Palestinian literature is a pervasive sense of rootedness, sustained and nurtured by a deep care for land stewardship and embedded in a spatialized history. In Rooted Movements, Amanda Batarseh examines the epistemology of Palestinian Indigeneity based in a radical relationship to place. Against a colonial logic that often centers displacement as the chief lens through which to understand Palestinian connection to place and spatialized existence, Batarseh argues that Palestinian literature poses Indigeneity as a dialectic relying as much upon rootedness as on ideas of movement.
In elaborating this tension, Batarseh develops a methodology of reading Palestinian literature that foregrounds how Palestinians negotiate space and removal through liberatory mobilization and not as a symptom of zionist, colonial violence. Reading the poetry, creative nonfiction, essays, novels, and films of writers in Palestine and in exile—from Ghassan Kanafani to Naomi Shihab Nye, Hussein Barghouthi, Raja Shehadeh, Ibtisam Azem, and Randa Jarrar—she exposes the limitations of focusing on the geopolitical borders of a modern nation-state and offers alternative imaginaries not bound by colonial spatial control. Instead, the Palestinian poetics of space Batarseh articulates engage rooted movement as an Indigenous expression of deep-seated and enduring connections to place. Palestine, this place, is not static, enclosed by military boundaries, or frozen in time before or after the Nakba, but generative and looking toward a Palestinian future.
Books and Artists mentioned in the Podcast:
Leila El-Haddad: here
Dana Barqawi: here
Amanda Batarseh is an assistant professor of literature at the University of California, San Diego, where her research and teaching focus on Palestinian literature with a broader focus on Arab cultural production in and outside of Arabic, Indigenous studies, and Mediterranean studies.
More from New Books Network
After Caesar's assassination, the triumvirs drew up a kill list; one such target, a man named Lucius Plotius Plancus, fled to a villa near Naples and tried hiding behind a curtain. The soldiers found him anyway–thanks to his heavy perfume.
Fascists of the World, Unite?: A History of Fascist Internationalism in the 1930s (de Gruyter Oldenbourg, 2025) analyzes the ideas and forms of international cooperation between Fascist Italy, Nazi Germany, and fascist movements from Denmark, Norway, Sweden, Switzerland, Ireland, and Britain. The study examines how fascists attempted to unite across borders by forming international organizations and networks, hosting conferences and exhibitions, disseminating multilingual publications, and exchanging propaganda. Their transnational cooperation was fuelled by shared ideas of ultranationalism, anti-liberalism, anti-communism, antisemitism, racism, white supremacism, and Europeanism. The book argues that fascist internationalism, marked by contradictions, limitations, and an Italo-German rivalry, emerged in the 1930s as a counter-reaction to liberal and communist internationalism. The epilogue discusses reverberations in the Second World War and the postwar period and outlines the relevance of this history for understanding contemporary forms of far-right internationalism.
Our second episode on “The Literary Ecosystem” features scholars of contemporary literary culture Dan Sinykin and Sarah Brouillette in conversation with host Aarthi Vadde. Like the good close readers we all are, we begin by thinking about how the metaphor of the “literary ecosystem” works. Sarah values the way it brings relationships between cultural institutions to the foreground but prefers the base-superstructure model of Marxian critique. Dan, too, moves away from “naturalizing” metaphors although he sees the ecosystem’s potential for pithily naming the interplay of literary production, circulation, and reception. From here the conversation ranges widely as we consider the economic and social forces shaping contemporary literature – be they the conglomeration of publishing houses (see Dan’s Big Fiction) or the impact of platform capitalism upon authorial labor (see Sarah’s Content Machinesand Aarthi’s We the Platform). We acknowledge the hollowing out of institutions meant to cultivate appreciation for literature and ponder the viability of platforms like Substack for reconstituting a literary sphere. Finally, what would a discussion of the literary ecosystem be without addressing the elephant in the room: AI. We bracket the author scandals to address the supporting players under threat: the translators, the audiobook narrators, the humans who bring books to readers across languages and formats. Come for the literary sociology; stay for the inside scoop on “prompting” a dark romance novel.
Chris Pearl's Declarations of Independence: Indigenous Resilience, Colonial Rivalries, and the Cost of Revolution (U Virginia Press, 2024) is a fascinating exploration of the American Revolution's causes and consequences on the Pennsylvania frontier. The history of the Fairplay settlement on the West Branch of the Susquehanna River - which (allegedly) declared independence from Pennsylvania AND the British Empire on July 4, 1776 - reveals the complicated, intertwined nature of the Revolution in the backcountry. Pearl illuminates how many groups - Indigenous and colonial - vied for control in these woods from the 1740s through the 1790s, telling a fascinating story of settler colonialism and Native resilience.
To be heard as complaining is not to be heard, writes Sara Ahmed. In No! The Art and Activism of Complaining, her sweeping exploration of complaint as a means of resistance, Sara Ahmed attunes her “feminist ear” to those who seek to challenge powerful institutions. She shows how complaints can unbury past complaints, getting them out of filing cabinets or from behind closed doors, allowing us to see institutions more clearly—how they work, and for whom they work.