Show Notes
Scott and Bruce were the hottest couple in church. Scott, a hula dancer, seemed destined for Bruce, the hunky “lumbersexual,” and the church delighted when they got together. Their brief love affair sparkled before Bruce got sick and died. Their story is one of multiple “dress rehearsals”– when friends, family and lovers went through AIDS with their loved ones wondering who would be next and sometimes knowing it might be you. You can see Scott perform in a 1992 InterPlay piece called “God, Sex and Power” here. He’s the one with the bandaids on his knees. Singing Positive is a two-part documentary film about the San Francisco Gay Men’s Chorus (SFGMC) and its experience with AIDS that spans 15 years. The first film, which featured Scott, was produced in 1992 and is hard to find online. The second film, produced in 2009, saw the filmmakers return to SFGMC to explore the impact of AIDS on the chorus over time. The 2009 film, with clips of Scott from the first film, is here. And you can watch some amazing SFGMC performances on their YouTube channel here. Scott was a member of Hālau Nā Kamalei o Līlīlehua (here’s a recent video) under the direction of Kumu Hula Robert Uluwehi Cazimero. When he moved to San Francisco, Scott supported his hula brother, Patrick Makuakāne's hula school Nā Lei Hulu I Ka Wēkiu. Patrick's recent work includes Māhū, a production by and with trans hula performers.
On the MCC in Hawai’i, see the Queer Histories of Hawai’i’s story here. For images and links about this episode visit https://www.heavenpodcast.org/episode-7 . When We All Get to Heaven is produced by Eureka Street Productions. It is co-created by Lynne Gerber, Siri Colom, and Ariana Nedelman. Our story editor is Sayre Quevedo. Our sound designer is David Herman. Our managing producer is Krissy Clark. Tim Dillinger is our consulting producer and Betsy Towner Levine is our fact-checker. We had additional story editing help from Sarah Ventre, Arwen Nicks, Allison Behringer, and Krissy Clark. For a complete list of credits, please visit https://www.heavenpodcast.org/credits. This project received generous support from individual donors, the Henry Luce Foundation (www.hluce.org), the E. Rhodes and Leona B. Carpenter Foundation, and California Humanities, a non-profit partner of the National Endowment for the Humanities (www.CalHum.org). Eureka Street Productions has 501c3 status through our fiscal sponsor FJC: A Foundation of Philanthropic Funds. The music for this episode is from the Metropolitan Community Church of San Francisco’s archive. It was performed by MCC-SF’s musicians and members with Bob Crocker and Jack Hoggatt-St.John as music directors. Additional music is by Domestic BGM. “Spirit of the Living God” is by Daniel Iverson. “In the Garden,” also known as “I Come to the Garden Alone” is by C. Austin Miles. It’s the favorite hymn of many a Christain mother, aunt, and grandmother. The soloist is Juliette Galuteria, Scott Galuteria and Brickwood Galuteria’s mother “God Prepare Me to Be a Sanctuary” is by Randy Scruggs and John Thompson. Special thanks to the friends and experts who helped us think through this episode. Frank DeLuca
William Salit and Stan Stone
Dr. Rachel Gross
Dr. Christopher Cantwell
Great thanks, as always, to the members and clergy of the Metropolitan Community Church of San Francisco who made this project possible. Some links to good groups: The Hawai’i Health and Harm Reduction Center – reducing the harm and fighting the stigma of HIV in Hawai’i. International EMS and Firefighter Pride Alliance – courage over adversity.
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More from When We All Get To Heaven
If you’d like to support our podcast and show everyone how important and impactful this story is, we hope you will take a moment to vote for us for The Signal Listener’s Choice Award by going to vote.signalaward.com/publicvoting.
Slate and the team at Eureka Street Productions are so honored by this award and want to thank everyone who has listened to and supported the show. This series tells the story of the Metropolitan Community Church of San Francisco, one of the first gay-positive churches in America, and how its congregation faced the AIDS epidemic, including the deaths of hundreds of its members.
As When We All Get to Heaven wraps up, Christina sits down with series host Lynne Gerber and producer Siri Colom. They discuss how the church has changed, the value of fleeting queer spaces, and what a decade or more spent working on this story has meant to—and taught—them. Get more Outward with Slate Plus! Join for weekly bonus episodes of Outward and ad-free listening on all your favorite Slate podcasts. Subscribe from the Outward show page on Apple Podcasts or Spotify, or visit slate.com/outwardplus for access wherever you listen. Produced by Palace Shaw and Merritt Jacob. Hosted on Acast. See acast.com/privacy for more information.
In the final episode of When We All Get to Heaven, we catch up on what’s happened in the many years between the emergence of effective treatment for AIDS in the late ‘90s and the fall of 2025, when we recorded this episode. We linger on a moment back in June 1999, when Jim was still pastor and called on the church to remember that AIDS wasn’t over. Because—advances notwithstanding—it still isn’t over. For more on Gilbert Baker and the history of the rainbow flag see the Gilbert Baker Foundation. For more on Prep see San Francisco AIDS Foundation, What is PrEP? “The Path that Ends AIDS: 2023 UNAIDS Global Update” outlines a possible end to the AIDS epidemic.
In 1996 everything changed. With the introduction of antiretroviral medications called the “AIDS cocktail,” people started getting better – some dramatically – and surviving AIDS became a real possibility. In the wake of these changes, MCC found itself taking stock of what they lost to AIDS and using what they learned to address larger social issues– from medical marijuana to homelessness. Sometimes these political stances felt heroic and a way to use that collective energy, and other times it made the church very unpopular with the changing Castro neighborhood.