Show Notes
In this episode we conclude our look at the Democratic Republic of Congo with an exploration of the music and politics of the country from 1960 to the present day. Beginning with the overthrow of Patrice Lumumba, Jeremy and Tim discuss the colonial and imperialist dynamics that have buffeted the country for the last half century, the cycles of violence this engenders and the role of nations like the US, China and Rwanda have played in destabilising the country. They also unpack the ‘resource curse’ of the DRC’s mineral stocks, the activities of companies like Apple and Tesla, and finish with a reflection from the great Franz Fanon. On the music side of things, we hear a potted history of the conga drum, some drum and bass, electric thumb pianos, handmade amplifiers and an African cousin to footwork.
Edited by Matt Huxley.
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Tracklist: Zaiko Langa Langa - Femme Ne Pleure Pas Papa Wemba - La Vie Comme Elle Va Bola Grooverider - Rivers of Congo Konono No.1 - Lufuala Ndonga Khalab - Chitita Kokoko! - Malembe Jupiter & Okwess - Na Kozonga Fulu Kolektiv - Lualaba Fulu Kolektiv - Nfuka
More from Love is the Message: Dance, Music and Counterculture
In this episode we conclude our survey of 1970s spiritual jazz with some lesser known cuts from the canon. Several of the tunes here were once hard-to-find collectors items, but the renewed interest in this body of work has led to reissues and an enlarged audience for these awesome pieces. Tim and Jeremy discuss the various religious sources on the practitioners of spiritual jazz, from Buddhism and Hinduism to African and Gospel influences. They unpack the problems with the term ‘spiritual’, consider this music’s utopian horizons and conduct a little reception history of how this sound lost and found an audience.
This is an excerpt of a patrons-only episode. To hear the full thing, visit Patreon.com/LoveMessagePod.
Today we’re taking it back to the early 70s as we begin a mini-series on spiritual jazz. Psychedelic, cosmic, astral: all words associated with a set of releases somewhat maligned at the time but now firm favourites on our turntables and across the globe. Tim and Jeremy cue up Pharoah Sanders, Albert Ayler, Lonnie Liston Smith and of course the great Alice Coltrane for a journey down the streams of consciousness. They examine the genealogy of the term spiritual jazz and the pre-history of some of its early progenitors, dig into the the various belief systems of universal love and peace, examine the Indian influences on both the music and the metaphysics, and give some time to the looming figure of Miles Davis in all this. Plus: an unexpected visit from Louis Armstrong. Patreon.com/LoveMessagePod Loveisthemessagepod.co.uk Produced by Matt Huxley
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Love is the Message returns from our summer break just in time for the Bank Holiday Weekend, which in London means one thing: Carnival. In this episode Jeremy and Tim cover the history of Notting Hill Carnival, the largest such event in Europe. They discuss patterns of Caribbean migration to the UK, traditions of carnival from Ancient Greece to Trinidad and Rio, and the particular story of Notting Hill, with its steel bands, dub sound systems, parade and party. They return to Lovers Rock, consider legendary stages like Aba Shanti, Good Times and Saxon, and interrogate how Bakhtinian and Deleuzian ideas can be applied to this unique expression of Black British culture. Plus: David Mancuso in Trinidad, and a young Jeremy tries to buy Pass the Dutchie.