Show Notes
Microtonal jazz extraordinaire Julian Woods shares with us his methodology for re-tuning classic standards into JI and what it's like playing in a live band. Topics include playing songs, composition directives, microtonal setups, and guitarists' advantages for frets, fretlets, and fretless, Philipp Gerschlauer has collaborated with Julian on his own work "Every swing has a silver roundabout" and on microtonal "Angel Eyes," reharmonized in 13-limit JI (with mostly 5 and 7 limit vertical relationships in the triads). Some notes about our analysis: when Julian is showing the sheet music to Angel Eyes, it's in a different key than the one in which we hear the demo and final song (G minor). Also, at one point Julian mentions G half sharp major, but means A half flat major (I believe). Also, check out a sneak peek of a secret new piece at the end inspired by Ligeti!
[video-only shot of guitar] Every swing has a silver roundabout [Just Intonation] - Julian Woods Angel Eyes (sung by Frank Sinatra) Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet] Every swing has a silver roundabout [Just Intonation] - Julian Woods [blues section] Every swing has a silver roundabout [Just Intonation] - Julian Woods String Quartet No. 2 - Ligeti [sung theme] Every swing has a silver roundabout [Just Intonation] - Julian Woods [held notes] Every swing has a silver roundabout [Just Intonation] - Julian Woods [chords in blues] Every swing has a silver roundabout [Just Intonation] - Julian Woods [sung microtones] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version with 128/125 between E-flat and D-sharp] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet 1] Eels "One for Ligeti" - Julian Woods [snippet 2] Eels "One for Ligeti" - Julian Woods Outro - Night & Day (Julian Woods and Philipp Gerschlauer) [Just Intonation]
Julian's music: https://www.youtube.com/@julianwoods7569 https://www.instagram.com/julian_woods_/ https://linktr.ee/julian_woods?fbclid=PAZXh0bgNhZW0CMTEAAaYe7aSNe0sJU6bXODFI78_xn90gh3-PMghW5LH5WjB-6IOC5r3F8NVWdoA_aem_10dyCOhTIbvkp3UmgdZzbw https://gerschlauermusic.bandcamp.com/album/microtonal-toolkit-for-improvisers Support us on Patreon! https://www.patreon.com/nowandxen
Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/
Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
More from Now and Xen
"Welcome to Accordion August!" I mean… Today on the podcast we talk shop with Dr. Lore Amenabar Larrañaga, accordion extraordinaire! She has put out a new CD: "Ispilu: Works for Quarter-Tone Accordion" featuring some of the most stunning contemporary quarter-tone accordion compositions of the day. Be sure to check it out after you listen to the episode.
"Welcome to Alien August!" Elaine Walker comes down from her celestial spaceship to give us the scoop on her microtonal mini-movie album, "Macrochip!" The album is constructed entirely in Bohlen-Pierce tuning and Elaine created all the clips using human-made stock footage (no AI). The album is classic Elaine, strikingly visual, timbre-rich, and tonal.
"Welcome to Alien August!" We present our conversation with certified extraterrestrial Tachy Bunker, the interdimensional shaman, conlanger, and electronic dance music producer. Tachy uses a huge variety of chromatic tunings mainly consisting of EDO's, high-dimensional just intonation (including primodalities), and mixtures of these in polysystemic music. Check him out live if you can for his primal energy!
"Here we are in J.I. July!" Owen Garnder, guitarist of the iconic experimental rock band Horse Lords, gives us a rundown of the band's philosophical and aesthetic visions, influences over time, and a first-person account of what playing polymetrically and microtonally in this band entails. In the latest album, "Demand To be Taken Into Heaven Alive!" we see more guests than usual as well as harmonic ventures into new areas.
"Here we are in J.I. July!" We sat down for a talk with esteemed composer-performer Catherine Lamb about navigating justly tuned systems, writing in high-limit systems using low-numbered concordances, her 10 Hertz system, and individual approaches towards intervals.