
Show Notes
Who wants to break all the rules? Who wants to tear it all down and make the world anew? Emily Brontë does, that’s who.
If you imagined WUTHERING HEIGHTS was some quaint Victorian romantic ghost story…think again. Honestly, there is just no other book like it. This 1848 work is truly sui generis. It’s like Emily Brontë, in her one and only book, before she dies at age 30, writes an off-the-scale earthquake into life under the unassuming and isolated Yorkshire moors, and her quake violently, mercilessly shakes the foundations of Patriarchy, class distinctions, racial hierarchy, traditional marriage, expectations of femininity, the role of the Gothic heroine, traditional ideas of masculinity, Christianity, the legal system, traditions of hospitality, and the tropes of Romance, including the so-called brooding romantic hero. Nothing escapes unscathed.
Join Sonja and Vanessa as they share some brief biographical information on Emily Brontë, explain some notable critical takes on the novel, consider the outer limits of revenge, explain why Heathcliff is rarely portrayed accurately in film adaptations, and pretty much stand in complete awe of WUTHERING HEIGHTS, a page-turning labyrinthian story about storytelling.
Along the way, Sonja pines for a dance with strangers while wearing a red dress, and we try not to think very hard about Heathcliff’s double-wide-coffin fantasy.
REFERENCES:
If you have not read WUTHERING HEIGHTS, check out your local bookstore, and if you don’t have one, consider ordering from our legendary bookstore, The Raven, right here in beautiful, quirky, historical, downtown Lawrence, Kansas.
Here is the link to the Bronte House Museum page that details the racial history of Liverpool and how that affects our reading of Heathcliff.
The article that Sonja mentions about the symbolism of Catherine’s whip, by Sandra Gilbert and Susan Gubar, can be found here.
Here is an online edition of WUTHERING HEIGHTS that includes Charlotte Brontë’s introduction, explaining the sisters’ pen names, their publishing history, Emily’s temperament, and Charlotte’s take on her younger sister’s novel.
Sonja mentions the term “femme covert,” and if you are not sure what that is, here is a link to an article from the National Women's History Museum about the concept and the huge impact it has had on women historically.
We also reference previous IWAW episodes linked here: Interview with Heather Aimee O'Neill; Emily St. Aubert is the heroine of Ann Radcliffe’s novel, The Mysteries of Udolpho, which we cover in a two-part episode; our episode on Tristan & Iseult explores the origins of romance; and we have an episode on Jane Eyre that intersects with the WUTHERING HEIGHTS episode in terms of the Gothic and romance.
More from In Walks a Woman
Women make up half the population, but only about 28% of Congress. What would change if more women held office? At In Walks a Woman, we believe stories shape reality, and if we change the stories, we can change who gets a voice. This episode asks what happens when we rewrite one of the biggest stories of all: who represents us.
Our guests today have just released two eye-opening books! In Swiftynomics: How Women Mastermind and Redefine Our Economy, economist Misty Heggeness uses the stories of trailblazers like Taylor Swift to reveal how everyday American women shape the economy, often in ways the numbers never capture. In A Gun of Her Own: The Everyday Lives of Women Who Shoot, sociologist Margaret S. Kelley shows that for many women, a gun is about more than protection; it's a symbol of independence and control over their own lives.
Content note: This episode discusses sexual violence, which is depicted in the Netflix series. Please make sure this episode is a good fit for you.
Clay Wirestone, award-winning opinion editor at the Kansas Reflector, was so generous to join us in studio for a great interview about his new book, Opinionated: Kansas Journalists Who Proved Why Commentary Matters — Then and Now, published by the University Press of Kansas. In his impressive tour of Kansas journalism from the 1920s to the 1970s, Clay honors some truly remarkable women who helped build and sustain their communities through their writing. Clay shares wonderful details about Mamie Boyd of Mankato, Zula Bennington Greene of Topeka, Donna Burough Opat of Lindsborg, and Lucile Bluford, who edited the Kansas City Call. We talk about a time when newspapers were truly local, and the people writing them were deeply woven into the lives of their towns. These women wrote about their neighbors, their politics, and their daily lives, and much of that writing has been lost, buried in the archives of small towns, some of which are nearly ghost towns today. Clay's book brings their words back into the light. Kansas is remarkable for so many reasons, and its legacy of fearless local opinion writing is one of them. As an opinion writer himself, Clay isn't studying the craft from the outside. He explores these columnists with the insight of someone who knows exactly what it takes to put your opinions in print, week after week, for the community you call home.
Content Note: This episode discusses war, physical trauma and injury, PTSD, and suicide, as portrayed in the novel and in the historical record. Please take care while listening, and feel free to skip or pause as needed.