Show Notes
Growing up in the Ramblewood area of northeast Baltimore, Brandon Woody could hardly have envisioned a future as one of the most heralded young trumpeter-bandleaders in jazz. But he dared to dream beyond what he could see — even after dropping out of college in New York. His 2025 Blue Note debut, For the Love of It All, introduces a powerfully emotive artist and a committed working band, Upendo, primed to represent their hometown. Woody sat down with The Late Set just after a set at the Exit Zero Jazz Festival, ready to open up and dig in.
More from The Late Set
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The Myth We Chose, the entrancing new album by South African pianist Nduduzo Makhathini, foregrounds hope and healing, and a conviction in the redemptive power of connection. It’s a song-forward statement for Makhathini, who is also a composer, vocalist, philosopher, and ambassador for the Global South.
John Coltrane’s centennial has brought a flurry of tributes and testimonials, along with archival discoveries. At WRTI, we’re gearing up for “A Love Park Supreme,” a weeklong celebration in the city that Coltrane called home. And here at The Late Set, we’re doing what we do best: digging into an enlightened conversation.
Jazz radio has never had a better friend than Rhonda Hamilton. During a broadcasting career spanning nearly 50 years, she’s brought the music to a worldwide audience with her trademark warmth, integrity and composure.
When SML dropped its 2024 debut, the group’s admixture of loopy groove, staticky texture and shifting timbre came on like a transmission from the outer reaches. Behind the music was a method: rangy collective improv whittled down to size, based on a trove of live tape.