Show Notes
Head of Indigenous Commissioning and Production Dena Curtis dropped by the Screen Australia Podcast to talk about the role of the broadcaster in showcasing and celebrating the diversity of First Nations experiences and supporting stories told by Aboriginal and Torres Strait Islander practitioners, and shares her vision for NITV and gives advice for producers and filmmakers looking to pitch to the broadcaster.
More from Screen Australia Podcast
In the feature film lifecycle, buyers and distributors are a major partner in building your pathway to market and audiences.
Do Australians value local screen and games content? The simple answer is yes. But the way we show our appreciation is more nuanced and unexpected.
From puzzle apps to MMPG, Australians love gaming — and word of mouth from peers, YouTube and socials are the major touchpoints for discovery. Like the screen industry, audience is key and a vital part of building global reach for every studio.
Horror is having a moment, and so is creator Ben Jenkins with the recent release of the cosmic horror, crime drama The Killings at Parrish Station. Like creators of horror hits across the globe like Get Out, Weapons, Talk to Me, and more recently Obsession and Backrooms, Jenkins started in comedy. "Horrible things sometimes happen to quite funny people. […] People are naturally funny, even when bad things are happening to them," hey says. "And that, to me, is drama."
The relationship between the games and screen sectors has never been closer, and with the Aussie games industry generating over $608.5 million in revenue, games storytelling is hitting a new boss level.