Show Notes
Hark! Season 3 debuts with a crowd favorite- “O Holy Night.” Born as a French poem in 1843, and set to music a few years later, this carol was banned for two decades from the Catholic Mass. It resurfaced in the hands of a Unitarian minister in the U.S. and became an anthem for abolitionists before the Civil War. It is also the song that you, our listeners, have overwhelmingly asked us to feature on Hark! Conductor Colin Britt returns to the show to unwrap the soaring verses and repeating leaps and skips in the music. Daniel Williams, professor of American religion and politics and author of several books on related subjects, narrates how “O Holy Night” has helped to shape Christmas culture in 19th-century America. Finally, Greg Boyle, S.J. of Homeboy Industries, shares with host Maggi Van Dorn the profound meaning this beloved carol has for him. The episode features a brand new recording of “O Holy Night” performed by the renowned choir of King’s College, Cambridge, under the direction of Daniel Hyde, and arranged by John Rutter, featuring the Britten Sinfonia. The story of Reginald Fessenden broadcasting “O Holy Night” was a theatrical production designed by our engineer, Jim Bilodeau. It incorporated a reenactment of the event available on Walts Welt Soundcloud channel. Special thanks to Molly Cahill, Malukah de los Santos and Alexander Knutsen, Firjii, Salt of the Sound and Echoes Blue Music, and Chad Rehmann and Cremaine Booker of Grey Duck Records for providing music for this episode. Support “Hark!” become a digital subscriber of America Magazine. Or you can play a little reindeer game with us and win a subscription to America! At the end of this episode, we’ve left a clue about next week’s carol. Guess the carol in an Instagram post, tag three friends, and follow @americamedia, and you will be entered to win a one-year digital subscription to America. No purchase necessary. Open to U.S. residents only 18 and older. Prize value is $49.99 each. Promotion period November 26 to December 22, 2023. Twenty winners will be randomly selected and notified by D.M. by January 10, 2023. Instagram does not endorse this giveaway. Learn more about your ad choices. Visit megaphone.fm/adchoices
More from Hark! The stories behind our favorite Christmas carols
“O Little Town of Bethlehem” has shaped how millions of English speakers imagine the Palestinian town where Jesus was born: a small place, still and peaceful, resting under the stars. The wars and struggles of recent decades invite us to question whether that image is true. And yet, “Bethlehem is still a very little town,” says Stephanie Saldaña, a writer and mother raising her family in this religiously and culturally diverse place. “It is a small place where everybody knows each other.”
Did you know that when a ewe rejects her newborn lamb, the shepherd has only hours to convince her to nurse it—or the lamb will die? This is the work of shepherds—staying awake through the night when lambs are being born, watching closely, ready to step in and save them. It gives new meaning to the good shepherd. In this episode, host Maggi Van Dorn travels to a farm in Herefordshire, near the Welsh border, to understand shepherding, and discovers why God might have chosen shepherds to be the first to hear the good news.
We often imagine angels as gentle and serene. But in Scripture they arrive in blinding light and overwhelming sound—so much so that their first words are almost always “Do not be afraid.” These are the messengers who burst into the night sky to meet a group of poor, worn-out shepherds—outsiders who become the first to hear the news of Christ’s birth.
Most Christmas carols celebrate the birth of Jesus. But not “The Coventry Carol,” the premiere episode of “Hark!” season five. This song centers on a biblical horror: the “massacre of the innocents,” King Herod’s order to kill all male babies two years old and under in Bethlehem. It’s a lullaby sung by mothers to children who may not survive the night.
On the final episode of Hark! this season, prepare yourselves for a wee bit of scandal because we’re looking at a tune that began as a bawdy love song and has long been associated with an evil monarch, but which, over the course of three centuries, finds its redemption as a Christmas carol. This is the story behind, “What Child Is This?”