Draft Zero: a screenwriting podcast

DZ-117: Pulling Off Tonal Shifts

Draft Zero: a screenwriting podcast

Show Notes

Listen if you want to write tonal pivots that land on the page without a director's toolkit.

Following on from our episodes on establishing tone through action lines and through character, this is what we have been building up to: how to pull off a tonal switch… that does NOT throw the audience out of the film. And, in particular, how to pull that off on the page when writers don’t have framing, lighting, music, editing, etc. at our disposal?

With that goal in mind, Mel and Chas dissect specific moments on the pages of SHAUN OF THE DEAD, SORRY TO BOTHER YOU and SWISS ARMY MAN.

While there are definite craft tools identified - rhythm of action lines, varying use of unfilmmables and metaphors, establishing language patterns - the two big takeaways are:

(1) pulling off a tonal shift takes a lot of setup; and (2) when the time comes, contrast on the page is key.

Thanks to Chris Walker for editing this episode.

As always: SPOILERS ABOUND and all copyright material used under fair use for educational purposes.

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→ Read the transcript for this episode.

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"Not only does it allow us to accept the mother's death, but it allows them to really go for emotion because they've already taught us that throughout the film, there will be these moments." — Chas Fisher @ 00:00:00

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CHAPTERS

00:00:00 – Cold Open

00:00:25 – What do we mean by tonal shift?

00:08:35 – Distinguishing between genre shift and tonal shift

00:13:08 – Shaun of the Dead

00:45:41 – Sorry to Bother You

01:28:07 – Swiss Army Man

02:02:10 – Key learnings and wrap up

02:06:35 – Patreon thanks

FILMS

SHAUN OF THE DEAD (2004) — (w) Simon Pegg, Edgar Wright (d) Edgar Wright

SORRY TO BOTHER YOU (2018) — (w) Boots Riley

SWISS ARMY MAN (2016) — (w) Daniel Kwan, Daniel Scheinert

SCRIPTS

Study the script: SHAUN OF THE DEAD (2004) — Simon Pegg, Edgar Wright

Study the script: SORRY TO BOTHER YOU (2018) — Boots Riley

Study the script: SWISS ARMY MAN (2016) — Daniel Kwan, Daniel Scheinert

SHOT ZERO DEEP DIVES

Framing [between] Them: SHAUN OF THE DEAD

LINKS

YouTube: Every Frame A Painting - Edgar Wright - How to Do Visual Comedy

EPISODES IN THE TONE SERIES

DZ-117: Pulling Off Tonal Shifts

RELATED EPISODES

DZ-105: Establishing Tone through Big Print

DZ-107: Establishing Tone through Character

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We are @stuwillis, @mehlsbells and @chasffisher on Twitter. You can find @draft_zero and @_shotzero on Instagram and Twitter.

Full show notes at: https://draft-zero.com/2025/dz-117/

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